An entirely darkened environment, a black felt floor inclined by five degrees, and a ceiling painted in fluorescent tempera. Darkness and ultraviolet light make the sky the only point of reference within the work. Music by Karlheinz Stockhausen and Krzysztof Penderecki accompanies visitors through the darkness. Despite the loss of balance caused by the sloping floor, their only point of reference remains the firmament.
Preparatory study 01, 1995Preparatory study 02, 1995Preparatory study 03, 1995Preparatory study 04, 1995Preparatory study 05, 1995Preparatory study 06, 1995Preparatory study 07, 1995Preparatory study 08, 199501. Design for Il grande firmamento, 199502. Design for Il grande firmamento, 199504. Design for Il grande firmamento, 199505. Making the firmament, 199507. Structure for Il grande firmamento, 199508. Structure for Il grande firmamento, 199511. For Il grande firmamento, 199512. For Il grande firmamento, 199513. For Il grande firmamento, 199514. Design for the ceramic plate for Il grande firmamento, 199510. The sky seen from inside the environment, 199515. Sandro Visca inside Il grande firmamento, 199516. Stars can be seen from all over the world, 1995
