OPERE, ARCHIVIO E RICERCA

Documents, exhibitions and critical reception

Bibliography
and references

The exhibitions, publications and testimonies that accompany Sandro Visca’s work. A repertoire to be consulted by topic and period.

Open one of the nine sections to consult the references. The chronological collections are divided by decade; at the bottom you will find the authors and scholars.

Solo exhibitions
1960–1969

1961

“Sandro Visca”, Sala Eden, L’Aquila, from 1 to 20 September (exhibition leaflet).

1964

“Sandro Visca”, Grand Hotel et du Parc, L’Aquila, from 1 to 15 November, (in the catalogue five heliographed drawings and text by Emidio Di Carlo).

1967

“Visca”, Palazzo Cappelli, L’Aquila, from 1 January, (text in the catalogue by Sandro Visca and Emidio Di Carlo).

1970–1979

1970

“Visca”, Galleria Arte D’Oggi, Pescara from 10 to 21 March, (text in the catalogue by Nicola Ciarletta).

“Sandro Visca”, Galleria il Pozzo, Città di Castello, from 3 October, (text by Lamberto Giancarli in the exhibition leaflet).

“Visca”, Galleria Zodiaco, Assisi, from 24 to 31 October, (text by Lamberto Giancarli in the exhibition leaflet).

1971

“Visca”, Saletta Filippo Palizzi, Vasto, from 18 to 30 May, (text by Aleardo Rubini in the exhibition leaflet).

“Sandro Visca”, Santelmo Art Centre, Salò, from 1 to 18 June, (text by Benito Sablone in the exhibition leaflet).

“Visca”, Civic Museum, Penne, from 10 to 17 July, (text by Aleardo Rubini in the exhibition leaflet).

1972

“Sandro Visca”, Centro Culturale

Nuova Dimensione, Pescara, from 24 June, (exhibition sheet).

1973

“Sandro Visca”, Galleria Pace, catalogue text by Lucio Fraccacreta: “Il metalinguaggio magico di Visca” – The journey through the alchemy of the internal man). Milan, from 18 January to 4 February.

“Sandro Visca”, Galleria Milanarte, Bologna, (exhibition sheet).

“Sandro Visca”, Galleria Pacedue, Turin, catalogue text by Lucio Fraccacreta: “Il metalinguaggio magico di Visca” – The journey through the alchemy of the internal man, from 8 to 28 February.

1974

“Sandro Visca”, Scalco delle Tre Marie, Palazzo Iacopo Notar Nanni, (text by Gino Marotta in the exhibition leaflet), L’Aquila, from 4th to 24th.

“Visca”, Laboratorio Comune D’Arte Convergenze, Pescara, December 1974 – January 1975, (object catalogue).

1975

“Visca”, Il Cubo Art Centre, Lanciano, from 15 to 27 February, (text in the catalogue by Gino Marotta).

1976

“Sandro Visca”, Studio L’Uovo, L’Aquila, “Giochi di fate”, from 29 January, (exhibition sheet).

“Sandro Visca”, Galleria L’Oca, Rome, “Ligamenti d’Amore” from 23 November, (exhibition sheet).

1980–1989

1980

“Sandro Visca” Cultural Services Centres of the Abruzzo Region, Pescara, “Un cuore rosso sul Gran Sasso”, from 19 to 29 January, (catalogue texts by Diego Carpitella, Franco Summa, Adina Riga).

1985

“Sandro Visca”, Galleria Questarte, Pescara, “Fuochi d’Amore”, December, (catalogue text by Enrico Crispolti).

1986

“Sandro Visca”, Sao Paulo, Brazil, “Un corcao vermelho no Gran Sasso”, from 10 to 18 May, (exhibition leaflet).

“Sandro Visca”, Forte Spagnolo, L’Aquila, “Cuciti”, from 30 October, (texts in the monograph “Cuciti” by Enrico Crispolti and Tito Spini).

1987

“Sandro Visca”, Galleria Questarte, Pescara, “Cuciti” from 9 to 25 April, (texts in the monograph “Cuciti” by Enrico Crispolti and Tito Spini).

“Sandro Visca”, Gallerie du Pommier, Neuchatel, Switzerland, May/June, (exhibition sheet).

“Sandro Visca” Galleria la Stadera, Sulmona, from 6 June (exhibition sheet).

1990–1999

1991

“Sandro Visca”, L’Acacia publishing house, L’Aquila, “I giardini dell’amore”, from 1 June, (in the exhibition leaflet two graphic works numbered and signed from 1 to 90 and texts by Sandro Visca and Fernando Tempesti).

“Sandro Visca”, Galleria Experientia Art&, Teramo, “Paesaggi di fate”, from 30 November to 27 December, (Text by Nerio Rosa in the exhibition leaflet)

1992

“Sandro Visca”, Collelongo, “Firmamento di terra”, (installation) from 4 to 6 January, (Exhibition poster).

“Sandro Visca”, Studio Spica Desing, Rome, “Paesaggi di fate”, from 7 May to 30 June, (exhibition sheet).

1995

“Sandro Visca”, Brioni Roman Style, 52nd street -New York, April.

“Sandro Visca”, Ex Gaslini, Pescara, “Il grande firmamento”, (setting), August, (catalogue text by Daniele Cavicchia).

“Sandro Visca”, Palazzo Ducale – Sala del Diritto Comune, University of Camerino, “1974 – 1994”, from 21 October to 4 November, (catalogue texts by Lucio Fraccacreta, Enrico Crispolti, Tito Spini, Ruggero Pierantoni).

1996

“Sandro Visca”, Experimental Museum of Contemporary Art, L’Aquila, “Vessilli d’Amore”, (anthological exhibition), December 1996 – January 1997, (catalogue texts by Nicola Ciarletta, Benito Sablone, Lucio Fraccacreta, Gino Marotta, Diego Carpitella, Enrico Crispolti, Tito Spini, Ruggero Pierantoni.

2000–2009

2000

“Visca”, Gallery of Modern Art, Palazzo Ricci, Macerata, “In intinere”, from 26 February to 31 March, (text in the catalogue by Paola Ballesi).

“Visca”, Chiesa del Suffragio, Corinaldo, “In itinere”, from 28 May to 28 June, curated by Margherita Abbo, (text by Ruggero Pierantoni in the exhibition leaflet).

“Visca”, Forte Spagnolo, L’Aquila, “In itinere”, from 9 September to 1 October by the Un Cuore Rosso cultural association on the Gran Sasso, (exhibition sheet).

2001

“Visca”, Centro Culturale Officina, Lucca, “In intinere”, from 3 March to 1 April, curated by Emy Petrini, (exhibition poster).

2003

“Visca”, Council Room of the Municipality of Ofena, “Teatrini”, catalogue text by Antonello Rubini, June.

2006

“Andrea Pazienza Visca”, texts by Sandro Visca and Federico Fiorenza, Rome Casa delle Letterature, Presentation of the exhibition curated by Sandro Visca and Emanuele Trevi, from 13 December to 31 January 2007.

2008

“Visca” Works 1962-2008, Pescara, Vittoria Colonna Museum of Modern Art, (in the catalogue, an essay by Plinio Perilli and a meta-biography between story and interview by Antonello Rubini). from March 29th to May 4th.

2010–2019

2011

Sandro Visca, Presentation of the art film “Un cuore rosso sul Gran Sasso” 1975-2011. Factory under the arches, Santo Stefano di Sessanio (AQ), (catalogue texts by Umberto Palestini, Sandro Visca, Annunziata Taraschi), Special Event – Italian Pavilion – 54th VENICE BIENNIAL. from August 5th to September 30th.

Sandro Visca “Un cuore rosso sul Gran Sasso… e altre visioni”. L’Arca – Laboratory for contemporary arts, Teramo, in the leaflet of texts by Sandro Visca and Umberto Palestini, from 19 December 2011 to 5 February 2012.

2018

Sandro Visca, Lanciano, Palazzo Vescovile – Diocesan Museum, catalogue text by Licia Caprara, from 9 to 29 September.

2019

Visca Carte Inedite, Pescara, Pescarabruzzo Foundation, curated by Rita Olivieri, from 23 November to 6 January.

2020–2025

2023

Sandro Visca, UNPUBLISHED 2014/2022, FLR Fondazione la Rocca, edited by Rita Olivieri, from 10 March to 6 May.

2024/2025

Sandro Visca, FRACTURAE, Carlo Bilotti Orangery Museum of Villa Borghese, curated by Generoso Bruno, from 12 October 2024 to 12 February 2025.

Group exhibitions and catalogues
1950–1959

1951

National Children’s Drawing Competition Exhibition, Brescia 14 – 28 September;

1960–1969

1962

Third student art exhibition, Palazzo delle Esposizioni, Rome, 1 – 30 April (Cat.).

First national youth exhibition “Giuseppe Casciaro”, Circolo Artistico Politecnico, Naples, from 18 April.

L’Aquila drawing exhibition, University Cultural Society, Sala Eden, L’Aquila, 27 May – 10 June, curated by Errico Centofanti and Mario Stara, (Cat.).

First national biennial exhibition of “Premio Recoaro Terme” drawing, 30 June – 15 July (catalogue text by Giuseppe Marchiori).

L’Unità Award, Palazzo Pomponi, Pescara, from 23 to 30 September (catalogue text by Nerio Rosa).

First regional exhibition of figurative arts Abruzzo and Molise, Avezzano, from 23 December 1962 to 10 January 1963, (Cat.).

1963

Fourth student art exhibition, Palazzo delle Esposizioni, Rome, 16 February – 15 March (Cat.).

Prima mostra del piccolo formato, Sulmona.

Fourth biennial regional exhibition of figurative arts of Abruzzo and Molise, L’Aquila, Forte Spagna, from 21 April to 23 May (Cat.).

Second Prize L’Unità “Omaggio a Toto”, Pescara, Galleria Verrocchio, from 15 to 22 September.

“Sette pittori aquilani”, L’Aquila, Sala Eden, September (exhibition sheet).

First national exhibition of small format painting, Campo di Giove, 3 November 1963 – 8 January 1964.

1964

“Dieci pittori d’Abruzzo”, Genoa, Italian Youth Artistic Centre, from 14 to 25 March (exhibition sheet).

“Gruppo 5”, G. Desiato, E. Di Vincenzo, M. Mariani, G. Pappa, S. Visca, San Benedetto del Tronto, Gran Derby exhibition space, from 20 May to 5 June (Cat.).

Painting exhibition “Abruzzo in cammino”, Pescara, from 3 to 14 June (catalogue texts by Maurizio Calvesi and Nello Ponente).

1965

Collective exhibition on the Resistance, L’Aquila, Circolo Culturale L’Aquilano, from 23 April to 10 May (catalogue texts by Ferdinando Bologna, Nicola Ciarletta, Enrico Crispolti, Giorgio Di Genova).

“Omaggio a Pirandello”, L’Aquila, c.c.3m. Tre Marie Cultural Centre, 23 May – 6 June (exhibition sheet).

National Contemporary Art Exhibition, San Benedetto del Tronto, from 25 July to 15 August. (exhibition sheet).

Second Sulmona delle Arti Prize, Sulmona, Palazzo dell’Annunziata (Cat.).

1966

“Realtà figurativa d’Abruzzo”, L’Aquila, Palazzo Bonanni, from 17 September to 18 October (Cat.).

Third Sulmona delle Arti Prize, Sulmona, Palazzo dell’Annunziata, October (Cat.).

1967

“La nuova situazione dell’arte in Abruzzo”, Avezzano, Luco de Marsi, Pescara, April – May (catalogue texts by Giorgio Tempesti and Margherita Abruzzese).

“Proposte Uno”, Avezzano, Palazzo del Liceo, from 10 to 31 August (catalogue texts by Maurizio Calvesi, Giuseppe Gatt, Filiberto Menna, Achille Bonito Oliva, Margherita Abruzzese, Giorgio Tempesti, Cesare Vivaldi, Alberto Boatto, Marisa Volpi Orlandini, Nicola Pagliara).

First prize City of Penne, Penne, from 21 to 27 August (catalogue text by Remo Brindisi)

Review of contemporary Italian painting, Pescara, Galleria Arte d’Oggi, from 7 to 27 October (Cat.).

1968

Pictorial variations on a xerographic theme, L’Aquila, from 7 to 11 April, curated by Mario Falli, (exhibition sheet).

Second prize Città di Penne, Penne, from 19 August to 8 September (catalogue texts by Aleardo Rubini and Remo Brindisi).

“Pittori abruzzesi oggi”, Sulmona (exhibition sheet).

San Fedele Prize, Milan, Galleria San Fedele, from 17 December 1968 to 14 January 1969 (catalogue text by Giorgio Kaisserlian).

“Premio Europa 68”, Milano (exhibition sheet)

1969

First prize City of Lanciano, Lanciano (exhibition sheet).

Third prize City of Penne, Penne, Cloister of San Domenico, from 21 September to 15 October (Cat.).

Sixth Sulmona Prize for the Arts, Sulmona, Palazzo dell’Annunziata, from 14 December 1969 to 6 January

1970 (Cat.).

“Colore d’Abruzzo”, Calascio, L’Aquila (exhibition sheet).

1970–1979

1970

“Premio Torino”, Torino, January.

“Immagini del nostro tempo”, Milan, Museum of Science and Technology, from 22 to 31 May (exhibition sheet).

Contemporary artists “Presenze abruzzesi 1970”, Ortona dei Marsi, from 13 to 23 August.

“Arte 70 a Calascio”, Calascio, from 14 August to 5 September (exhibition sheet).

24th National Painting Exhibition F. P. Michetti, Francavilla al Mare, from 1 August to 1 September (catalogue text by Marcello Venturoli).

Fourth prize City of Penne, Penne, Cloister of San Domenico, from 30 August to 27 September (catalogue text by Giammario Sgattoni).

“Bazar”, Terni, Galleria Poliantea, from 12 December 1970 to 3 January 1971 (exhibition sheet).

National exhibition of graphics and painting, Roccaraso, Palazzo Suffoletta, December (exhibition sheet).

1971

“Omaggio alla Resistenza”, National Association of Partisans of Italy, Avezzano, Palazzo del Liceo, April (exhibition sheet).

“Bice Bugatti” National Award, Nova Milanese, Milan.

Tredicesimo “Premio Vasto” (Cat.).

XXV National Painting Exhibition F. P. Michetti, Francavilla al Mare, from 31 July to 1 September (catalogue texts by Umberto Russo, Luigi Marcucci, Carlo Barbieri, Luigi Lambertini).

Exhibition of painting and graphics, Santo Stefano di Sessanio, August (Cat.).

“Il giornale nell’arte”, Pescara press association, Pescara, Libreria Salotto, from 4 to 12 September (text in the exhibition sheet by Benito Sablone).

Group exhibition, Pescara, Galleria Nuova Dimensione (exhibition sheet).

“Calascio 71”, Calascio, Palazzo civico, from 1 to 22 August (text in the exhibition sheet by E. Di Carlo).

Fifth prize City of Penne, Penne, Cloister of San Domenico, from 5 to 30 September (catalogue texts by Remo Brindisi and Aleardo Rubini).

1972

First national exhibition “Arte d’Oggi”, Pescara, Galleria Arte d’Oggi, from 30 January to 20 February (exhibition sheet).

Premio “Borgosesia” (exhibition sheet).

“Diomedea” cultural centre, Termoli, from 24 June to 20 July (exhibition sheet).

First international exhibition “Aspetti dell’arte contemporanea”, Montesilvano, from 22 August to 5 September (Cat.).

Centro d’Arte e di Cultura G4, Teramo (Cat.).

“Il Cubo” art centre, Lanciano, from 26 November to 10 December (exhibition sheet).

“Estenzione 72”, Mantua, Casa del Mantegna, from 20 November to 5 December (catalogue texts by Elda Fezzi, Luigi Fraccalini, Giuseppe Marchiori, Italo Mussa, Aurelio Natali, Toni Toniato, Lorenza Trucchi).

76th Exhibition, “Il pozzo” Modern Art Gallery, Città di Castello, from 16 December 1972 to 8 January 1973 (exhibition sheet)

1973

Fifth biennial prize “Silvio Dodaro”, Bari, Provincial Art Gallery, from 7 February to 3 March (Cat.).

XV International Triennial of Milan, Italian Section “Lo spazio vuoto dell’ habitat” from 20 September to 20 November, organization and installation of the exhibition by Eduardo Vittoria, (Cat.).

From Pop(ular) Art to Popular Art, Pescara, Laboratorio Comune d’Arte Convergenze, from 25 October to 11 November (text in the catalogue by Arcangelo Izzo).

1974

Encounters with contemporary art, Pescara, July – August (catalogue text by Giuseppe Rosato).

Seventh prize City of Penne, Penne, Cloister of San Domenico, from 17 November to 1 December (catalogue texts by Remo Brindisi and Aleardo Rubini).

1975

Second artists’ festival, Fossacesia, Cloister of San Giovanni in Venere, June – September (Cat.).

XXIX International Painting Exhibition F. P. Michetti, Francavilla al Mare, from 26 July to 31 August (catalogue texts by Giuseppe Marchiori, Franco Solmi, Marcello Venturoli).

1976

“Cavallo di Troia”, Pescara, August (exhibition sheet).

Galeria de Arte “Arcobaleno”, Caracas (Venezuela), July – August (exhibition leaflet).

XXI Villa San Giovanni Award, Villa San Giovanni, July – August (Cat.).

Graphics by Studio “L’Uovo”, Pescara, Laboratorio Comune d’Arte Convergenze, from 11 December 1976 to 8 January 1977 (exhibition sheet).

1977

“Autori contemporanei”, Giulianova Alta, Bottega d’arte Magazzeni, from 12 to 28 June (exhibition sheet).

“Artisti aquilani”, L’Aquila, Galleria Ferriarte, December (exhibition sheet).

1978

“Incontri 78”, Loreto Aprutino, Cloister of San Francesco, September.

1980–1989

1980

“Postal Medium”, Pescara, Cultural Services Centres, from 6 to 26 March (catalogue texts by Enrico Crispolti, Umberto Russo, Adina Riga, Franco Summa).

1982

Third national exhibition of figurative art “Doppio versante”, Acquaviva Picena, from 4 July to 1 August (catalogue texts by Carlo Melloni and Elverio Maurizi).

“Intimità dell’indagine” Psychoanalysis and Art – Psychoanalysis and Aesthetics, Pescara, Cultural Service Centres of the Abruzzo Region, December 1982 January 1983 (text in the catalogue by Giorgio Misticoni).

1983

Expo Arte, Bari, Galleria Questarte (Cat.).

“Contemporanee visioni”, Avezzano, Galleria il Pentagono, from 9 to 21 April.

“Intimità dell’indagine” Psychoanalysis and art – Psychoanalysis and Aesthetics, Ferrara, Palazzo Massari, Civic Galleries of Modern Art, Palazzo dei Diamanti, from 22 May to 19 June (text in the catalogue by Giorgio Misticoni).

XXXVI National Painting Exhibition F. P. Michetti, Francavilla al Mare, from 30 July to 31 August, curated by Marcello Venturoli, (Cat.).

“Pietra e colore”, Pescara, Questarte Gallery, from 20 December 1983 to 22 January 1984 (text in the exhibition sheet by Francesco Iengo).

1984

“Parole di terra parole nell’aria”, L’Aquila, Quarto multimedia centre in Santa Giusta, from 22 December 1984 to 15 January 1985 (text in the leaflet of the Tito Spini Exhibition).

1985

“L’onda del sud” New Mediterranean imagination in design, Bari, Castello Svevo, from 22 June to 14 July, curated by Enrico Crispolti and with the critical contribution of Andrea Branzi, Riccardo Dalisi and Alessandro Mendini), (Cat.).

XXX National Art Exhibition “Castello Svevo”, Termoli, Galleria Civica d’Arte Contemporanea, from 27 July to 14 September (catalogue texts by Filiberto Menna and Remo Brindisi).

“Arte e territorio”, Collelongo, Council Room of the Town Hall, from 3 to 18 August.

International Biennial Print Exhibit, Taipei (Taiwan).

1986

Split Archaeological Museum, Split (Croatia), (exhibition sheet).

XXXVIII National Painting Exhibition F. P. Michetti, Francavilla al Mare, July, curated by Enrico Crispolti, (Cat.).

Eighth art exhibition Città di Penne “Disponibilità dell’immagine”, Penne, Cloister of San Domenico, from 2 to 25 August, curated by Giuseppe Rosato, (Cat.).

“Arte e territorio” Man and nature, Collelongo, August, edited by Marcello Venturoli, (Cat.).

“Cinque artisti e una città”, Pescara, Questarte Gallery, from 19 July to 30 August, curated by Giuseppe Rosato, (Cat.).

National painting award Cappelle sul Tavo, Spoltore, Centro Mammuth, from 15 to 23 November, curated by Mario De Micheli), (Cat.).

1987

“Alternative attuali” Abruzzo 87, L’Aquila, Forte Spagnolo, from 22 March to 26 April, curated by Enrico Crispolti, (Cat.).

Caitanya “Arte per la pace”, Rome, Palazzo Venezia, from 7 May to 15 June (in the catalogue critical contributions by Jolena Baldini, Carmine Benincasa, Angelo Calabrese, Renato Civello, Enrico Crispolti, Giorgio Di Genova, Antonio Gasbarrini, Domenico Guzzi, Italo Mussa, Ugo Piscopo, Pierre Restany, Pier Carlo Santini, Marcello Venturoli, Marisa Vescovo).

“Itineraires Paralleles”, Neuchàtel, Ice Palace (Switzerland) from 15 to 25 May, curated by Enrico Crispolti, (Cat.).

From the Guttemberg Bible to the online book, Pescara, Casa D’Annunzio, from 6 August to 12 September (Cat.).

“Parallel Itineraires”, Festitalia 87, Hamilton – Ontario (Canada), University Art Gallery – McMaster, from 9 to 29 September, curated by Enrico Crispolti, (Cat.).

“20 artisti per il Nicaragùa”, Avezzano, Italy-Nicaragua Association, from 21 to 29 October (exhibition sheet).

“12 Piatti di 12 Artisti”, L’Aquila, Scalco delle Tre Marie, Palazzo Iacopo Notar Nanni, 19 November (catalogue texts by Gianfranco Volpe and Errico Centofanti).

1988

First exhibition of Abruzzo artists in favor of UILDM, Pescara, Sala dei Marmi della Provincia, from 4 to 9 January (exhibition sheet).

“Itinerari paralleli”, Montesilvano, Congress Centre, from 23 May to 12 June, curated by Enrico Crispolti, (exhibition leaflet).

“Mare & Mare”, International Biennial of the Sea, the sea in the visual arts, Naples, Castel dell’Ovo, June, curated by Marcello Venturoli, (Cat.).

Rassegna d’arte contemporanea

“Dittico”, L’Aquila, University, Faculty of Education, from 1 to 12 June, curated by Antonio Gasbarrini, (Cat.).

Current alternatives 88 “Pittura per musica”, L’Aquila, Cortile del Convitto Nazionale and courtyard of the Palazzo di Città, from 23 July to 7 August (The Solisti Aquilani and the violinist Felix Ayo were directed by Maestro Vittorio Antonellini), the exhibition is curated by Enrico Crispolti, (Cat.).

“Artisti per l’Aurum”, Pescara, Ex Aurum (exhibition sheet).

“Laboratorio d’Abruzzo” Ripe 88, Ripe San Genesio, Municipal Art Gallery, July, curated by Enrico Crispolti, (Cat.).

1989

“Il quadro del mese”, Florian Espace Cultural Association, Florian Espace theatre, Pescara, 4 March (exhibition sheet).

Arte Abruzzo 90/1, Pratola Peligna, Spazio Arte “Di Loreto”, from 15 to 30 July, curated by Carlo Fabrizio Carli, (Cat.).

“Duplice versante”, IV Contemporary Art Exhibition, City of Campomarino, Town Hall, from 1 to 15 August, curated by Hugo Orlando, Renato Marini, Leo Strozzieri, (Cat.).

Sixth International Painting Prize “Amore & Amore”, Lampedusa, August, curated by Marcello Venturoli, (Cat.).

1990–1999

1990

10th Città di Penne art exhibition, “Il segno e i suoi dintorni”, Penne, 28 July–25 August, curated by Antonio Gasbarrini and Renzo Margonari (catalogue).

1991

“Textilia 91”, second European comparison: Spain, Vicenza, Basilica Palladiana, “Pittura tessuta”, from 9 November to 22 December, edited by Enrico Crispolti, (Cat.).

1992

“Expo 92”, Pabellon de las artes – some recorridos of contemporary art in Italy, Seville (Spain), from 21 September to 12 October (catalogue texts by Paolo Portoghesi and Egidio Maria Eleuteri).

1993

“Omaggio a Spoltore”, Spoltore, from 25 September to 2 October (Cat.).

1995

“Lupo”, from Abruzzo to the imagination, Rome Eur, Salone delle fontane, from 22 December 1995 to 18 February 1996, curated by Alessandro Mendini, (Cat.).

1996

“Space of the 19th/20th century in Abruzzo, Sala Michetti, Abruzzo Regional Council, L’Aquila, 26 June (Cat.).

Exhibition of the international collection of contemporary ceramic art, Castelli, Regional Museum – F. A. Grue Art Institute (critical text by Enzo Biffi Gentili, essay on contemporary ceramics in Castelli by Eduardo Alamaro), (Cat.).

1997

“Teatrarte novantasette”, Pescara, Teatro D’Annunzio, from 9 July to 18 August, curated by Nicoletta Di Gregorio, (Cat.).

1998

“Abitare il tempo”, Experimentation and research exhibitions, Verona, “Riprogettare il passato”, from 9 to 12 October (catalogue text by Mariano Apa).

40th Anniversary of the L’Aquila State Art Institute, L’Aquila, Forte Spagnolo, from 31 October to 15 November (Cat.).

Museum and archive of contemporary Abruzzo artists (permanent collection), Nocciano, Medieval Castle, 20 December, curated by Eugenio Riccitelli, (Cat.).

1999

“Annodo” Contemporary kilims, Rome, Cloister of San Salvatore in Lauro, 19 May, curated by Giovanna Odorisio, (Cat.).

“Artisti & Venti 1944-1999” Exhibition of modern and contemporary art, L’Aquila, Forte Spagnolo, from 18 July to 8 August, curated by Antonio Gasbarrini, (Cat.).

“Epicaforma” National exibition, Toronto (Canada) Columbus Centre, from 18 August to 6 September, curated by Mariano Apa and Lea Contestabile, (Cat.).

Alitalia per l’arte – Artisti per la 705°

Perdonanza Celestiniana, L’Aquila, Forte Spagnolo, from 14 August to 26 September (text in the catalogue by Massimo Duranti).

12TH Camerino – Noordwijkerhout Symposium, “Receptor chemistry towards the third millennium”, Camerino, University, 5 September (Cat.).

“Quei giovani amici pittori”, Lanciano, Casa Rosato, 28 December, edited by Giuseppe Rosato, (Cat.).

2000–2009

2000

“Annodo” Contemporary kilims, Matera, Studio Calia, from 6 to 15 May, curated by Giovanna Odorisio (exhibition sheet).

Annual of Art 2000 “Lo scandalo dello spirito”, L’Aquila, Forte Spagnolo, from 27 August to 25 September, (Cat.).

World Festival of Art on Paper, Kranj – Slovenia, from 1 to 15 September (Catalogue text by Berislav Valusek).

Ceramic Nativity, Castles, Church of Santa Maria degli Angeli – Ceramics Museum, from 20 December 2000 to 31 January 2001, curated by Antonello Rubini, (Cat.).

2001

Column’Art 2001 2nd exhibition of painters and sculptors, ceramists from Abruzzo, Palazzo Pardi, 21 July – 10 September, organized by the Teramo artists association, Colonnella, (Cat.).

Mail-Art International Exhibition, Termoli, Galleria Civica d’Arte Contemporanea, 16 December 2001 – 6 January 2002, curated by Centro Culturale Il Campo, (Cat.). Exhibition of Contemporary Art, L’Aquila, Experimental Museum of Contemporary Art, December, (edited by Enrico Sconci), (exhibition poster and leaflet).

2002

Art Traces in Abruzzo, Giulianova, Sala G. Trevisan, 29 June – 30 September, curated by Carlo Fabrizio Carli, (Cat.).

XXXV Vasto Prize – The second half of the twentieth century in Italy, Strong references, Vasto, Civic Museums in Palazzo Davalos, 27 July – 13 October, curated by Enrico Crispolti, (Cat.).

Viaggio per Terra, Eleven sculptors in Castelli, Castelli, International ceramic workshop on the Salita Paradiso, 8 December – 7 January, curated by Antonello Rubini, (Cat.).

01 Contemporary Art, Rome, Vox Ecomunicazioni, December, edited by Stefano Marotta, (Cat.).

2003

“Visca – Fiducia”, Los Angeles – San Francisco – New York, Washington (U.S.A.). Vancouver – Toronto – Montreal (Canada). (Exhibition promoted by the Presidency of the Regional Council of the Abruzzo Region), February / March, (texts by Maria Cristina Ricciardi in the exhibition leaflet).

“Immagini di una esperienza” Pescara, Space for the Arts – Sparts, from 10 May, curated by Piera Di Nicolantonio, (Cat.).

“Futuro remoto”, the art of matter from antiquity to the contemporary, Villetta Barrea, Palazzo Dorotea, 3 June 2003 – 3 June 2004, (Cat.).

“Artpolis 2003“, Guardiagrele, Church of S. Silvestro, from 11 October to 15 December 2003, curated by Veniero De Giorgi. (exhibition sheet)

“500 artists in the rainbow of angels” – International mail-art setting, S. Giuliano di Puglia, from 26 October 2003 to January 2004, (Cat.).

2004

Collettiva, Trento, Spazio archeologico c/o Teatro sociale, from 26 July to 7 August 2004, (organised by the Teatro Stabile di innovazione L’Uovo dell’Aquila. (Leaflet of the exhibition).

“Arte contemporanea d’Abruzzo“, Ofena, Council Chamber of the Municipality of Ofera, from 7 August to 25 September 2004, (Text in the catalogue by Antonello Rubini).

XXVI Contemporary Art Prize “Enrico Mattei”, Civitella Roveto, Mario Sinopoli multipurpose room, from 18 August to 5 September 2004, (Catalogue texts by Luigi Lambertini, Carlo Fabrizio Carli, Mariano Apa).

Exhibition tribute to Francesco Petrarca, Seoul (South Korea), organized by the Italian Cultural Institute of Seoul. (Cat.).

2005

50th Termoli Prize, “Le due rive” Italian and Croatian Artists, Termoli, Galleria Civica d’Arte Contemporanea, from 15 October to 15 November, curated by Antonello Rubini and Jasminka Poklecki Stosic, (Cat.).

Generation Collection of the Forties, Pieve di Cento, Museum of Art of the Italian Generations of the 20th century “G. Bargellini”, from 26 November 2005 to 28 February 2006, curated by Giorgio Di Genova, (Cat.).

2006

“Itineris” – A Via Crucis for Ofena, Ofena, 21 May, (permanent installation) project and artistic direction by Sandro Visca, (Cat.).

“Arte per la vita”, Lanciano, edited by Vito Bucciarelli (Cat.).

2007

“Sagome 547”, Rome – Sala dei Mappamondi, Paris, Brussels, Montecarlo, from 18 January, organized by the Ministry of Foreign Affairs (Cat.).

Annual 2007 L’Aquila City of Peace in the name of Celestine V, L’Aquila, Former Monastery of S. Maria dei Raccomandati, from 22 September to 30 October, curated by Enrico Sconci.

2009

“Cento artisti per l’Aquila“, Pescara, Vittoria Colonna Museum of Modern Art, from 16 to 25 May, (catalogue texts by Paola Marchegiani and Roberto Rodriguez).

2010–2019

2010

“Il libro come opera d’Arte”, Nocciano, Museum of Modern Art of Nocciano, from 2 to 23 May, (catalogue texts by Ivan D’Alberto and Enzo Fimiani).

2011

ITALY PAVILION International Art Exhibition 54th VENICE BIENNIAL for the 150th anniversary of the Unification of Italy, Pescara, Aurum, from 25 June to 27 November, (Cat.).

ITALY PAVILION International Art Exhibition 54th VENICE BIENNIAL for the 150th anniversary of the Unification of Italy Civitella del Tronto, Fortezza, from 24 July to 27 November, (Cat.).

VISIONS – The plural fortress of art, Civitella del Tronto (TE) Fortezza Borbonica, from 1 July to 31 October, curated by Giacinto Di Pietrantonio and Umberto Palestini (Cat.).

TRAVELS, DREAMS AND UNEXPECTED PLOTs – Poetics, insights from the Italy/Abruzzo Pavilion of the 54th International Art Exhibition of the Venice Biennale. Lea Contestabile, Giancarlo Sciannella, Sandro Visca. Edited by Umberto Palestini. Rome, Galleria Anna D’Ascanio, 21 October 4 November (Leaflet).

2012

BODY – Festival of Performing Arts curated by Ivan D’Alberto and Sibilla Panerai. MAAAC Conference Room – Museum of Contemporary Art, Nocciano Castle. The ascetic journey of Sandro Visca “Un cuore rosso sul Gran Sasso” 25 May (Cat.).

2015

Author’s TEX, Comics & Art – XIII National Exhibition, Palazzo Bufalini › Il Quadrilatero, Città di Castello, 19 September 18 October (Cat.).

Around BURRI Scatti d’Autore – ART Studio Gallery, Lamezia Terme, 29 October 15 November (Cat.).

2018

Project “Mediterraneo – Lo Specchio dell’Altro”, Milan – Palazzo Reale, 28 March, promoted by Arturo Schwarz – curated by Gloria Gatti (Cat.).

Percorsi D’Arte Contemporanea [Contemporary Art Paths], Pescara, Museo delle Genti d’Abruzzo, curated by the Fondazione Genti d’Abruzzo, November 15 – December 2 (Cat.)

2019

Obiettivi su Burri [Focus on Burri], Città di Castello, Ex Seccatoi del Tabacco, March 12 – September 12, curated by Bruno Corà – texts by Bruno Corà, Aldo Iori, Rita Olivieri (Cat.)

2020–2025

2022

Per Alternative Attuali – Sguardi incrociati tra passato e presente [For Alternative Attuali – Intersecting Views Between Past and Present], L’Aquila, MU.SP.A.C. Museo Sperimentale D’Arte Contemporanea, May 12–27;

MAESTRI e allievi del Liceo Artistico di Pescara [Masters and Students of the Pescara Art High School], Pescara, YAG/garage, June 11 – July 2;

Il Fuoco di Celestino V [The Fire of Celestine V], L’Aquila, MU.SP.A.C. Museo Sperimentale D’Arte Contemporanea, August 21–30, 2022;

Limited-edition publications featuring original graphic works
1960–1969

1964

Sandro Visca, catalogue published for the solo exhibition at the Salone del Grand Hotel et du Park in L’Aquila, featuring five limited-edition ink drawings (heliographic prints).

1970–1979

1970

Sandro Visca, “Ciò che gli uomini sanno delle donne”, a unique artist’s book handmade by the author. Housed in a cardboard box, it consists of 158 pages created using collage, markers, and graphite. Edizioni L’Asparago (format: 17.5 × 12.5 cm).

1979

Sandro Visca, “Un cuore rosso sul Gran Sasso”, edition of one hundred copies, comprising 40 pages screen-printed by hand, including a graphic work signed and numbered by the artist.

Text by Diego Carpitella, photographs by Giuseppe Iammarrone. Published by Studio L’Uovo, L’Aquila (format 35×33 cm).

Sandro Visca, “Per un cuore rosso sul Gran Sasso”. Special cloth-bound edition of ninety copies, comprising thirty-two graphic pages executed via multi-colour screen printing and paper elements, hand-stitched and glued. Published by Studio L’Uovo, L’Aquila (format 35×33 cm).

1980–1989

1983

Sandro Visca, “Per un amore in rosa”, unique artist’s book handmade by the artist. Housed in a transparent pink methacrylate box, it features textured endpapers and thirty-one original pages that are drawn, painted, and stitched. (format 50×70 cm).

1990–1999

1991

Sandro Visca, “I giardini dell’amore”, tri-fold brochure including two graphic works—screen-printed and hand-stitched—in an edition of ninety copies each, signed and numbered by the artist. Published by L’Acacia, L’Aquila. (format 16×23 cm).

1997

Sandro Visca “Scatti d’amore”, hinged wooden box (106x42x6 cm) containing 25 black cardstock folders holding 100 photographic portraits of Sandra Visca, executed by the artist in black and white and colour. Unique work.

1998

Sandro Visca, La grande strada dell’amore [The Great Road of Love] – “In itinere”. Unique edition (design for the tapestry “In itinere”) consisting of twenty pencil drawings on Fabriano cardstock. The drawings are housed in a cardboard case with leather closures, handmade by the artist (format 70x10x3 cm).

Prints and editions
1970–1979

1970

Sandro Visca, Senza titolo,

Drypoint engraving on Fabriano Rosa Spina paper, limited edition of 60 (numbered 1 to 60). (Format 25.5×35 cm).

Sandro Visca, Senza titolo,

Four-colour lithograph on paper, edition of 150 (numbered 1 to 150). (Format 50×34 cm).

Commissioned and produced for the L’Aquila-based newspaper L’AQUILASETTE.

1974

Sandro Visca, “Asparagi”,

Wooden portfolio containing a folder with an original sewn insert featuring six colour engravings; printed on a star-wheel press on Fabriano Rasaspina paper, limited edition of 10 (numbered 1 to 10).

(wooden case cm. 35x50x3).

Convergenze – Laboratorio Comune d’Arte [Joint Art Workshop] Edition, Pescara.

Sandro Visca, “Paesaggio”

Multiple featuring a wooden structure, silver leaf, screen-printed glass, straw, and fabric blends; produced in a limited edition of 90 (numbered 1 to 90). (Dimensions: 80x80x4 cm).

Edizioni Studio L’Uovo, L’Aquila.

Sandro Visca, “Per un ligamento d’amore”

Wooden container featuring an original sewn insert on the lid; contains three screen prints on satin-finish aluminum, produced in a limited edition of 50 (numbered 1 to 50).

(size in cm. 60x60x6,5)

Edizioni Studio Papola, Milano.

1975

Sandro Visca, Senza titolo,

Five-colour screen print on 200 g/m² cardstock, produced in a limited edition of 15 (numbered 1 to 15).

(size in cm 70×50).

Edizioni Studio L’Uovo, L’Aquila.

Sandro Visca – Gino Marotta, “Reale”

An attempt at linguistic integration proposing an expansion of mythographic universes.

Five-colour screen print on 200 g/m² cardstock (dimensions: 70×50 cm).

Promoted, published, and printed by Studio L’Uovo dell’Aquila.

Sandro Visca, Senza titolo,

Two-colour screen print on a background of cardstock strips, produced in a limited edition of 20 (numbered 1 to 20).

(size in cm 70×50).

Sandro Visca, Senza titolo,

Four-colour screen print on 200 g/m² cardstock, produced in a limited edition of 30 (numbered 1 to 30).

(size in cm 70×50).

Edizioni Studio L’Uovo, L’Aquila.

Sandro Visca, “Per un personaggio sotterrato”,

Four-colour screen print on 200 g/m² cardstock, produced in an edition of 80 (numbered 1 to 80) (dimensions: 70×50 cm).

Published by Studio L’Uovo dell’Aquila for the Pescara-based periodical 7 GIORNI SETTE.

Sandro Visca, “Anno zero”,

Two-colour screen print with hand-applied finishing touches on 200 g/m² cardstock; artist’s proofs only.

(size in cm 70×50).

Edizioni Studio L’Uovo, L’Aquila.

1976

Sandro Visca, Senza titolo,

Four-colour screen print on a cake doily (Ø 40 cm) mounted on 200 g/m² cardstock with a textured insert; edition of 100 (format 70×50 cm).

Edizioni L’Uovo, L’Aquila.

1977

Sandro Visca, “Giochi di fate”

Hardcover portfolio bound in natural linen containing five etchings—printed on a star-wheel press on Fabriano Rasaspina paper—plus a limited-edition screen print (edition of 50); format 50×70 cm.

Edizioni Studio L’Uovo, L’Aquila.

1979

Sandro Visca “Un cuore rosso sul Gran Sasso”

Five-colour screen print on 300 g/m² cardstock, created for the premiere of the art film “Un cuore rosso sul Gran Sasso”; edition of 100. (format 59×49 cm)

Edizioni Studio L’Uovo, L’Aquila.

1980–1989

1983

Ciarletta, Pazienza, Visca,

Portfolio containing two lithographs—one by Fracescangelo Ciarletta and one by Andrea Pazienza—plus a hand-die-cut screen print by Sandro Visca (“Attendere serenamente sotto un cielo di stelle”), printed on Fabriano paper in a limited edition of 200 (numbered 1 to 200).

(size in cm. 50×70)

Edizioni Studio Spray, L’Aquila.

1985

Sandro Visca, “Fuochi d’amore”

Portfolio containing three screen prints—two printed in three colours and one in five colours—on 100% cotton Fabriano paper with hand-applied touches by the artist; limited edition of 10 (numbered 1 to 10). (format 50×70 cm)

Edizioni Iniziative, Pescara.

1987

“Dodici piatti di dodici artisti” Homage to the Tre Marie of L’Aquila.

Four-colour process lithograph on 200 g/m² cardstock; edition of 100 (numbered 1 to 100), (format 70×50 cm).

Edizioni Teorema, L’Aquila.

1989

Sandro Visca, “Paesaggio”

Hand-crafted multiple by the artist; limited edition of 7 (numbered 1 to 7) (stitched tapestry, 100×145 cm – signed and numbered on the back).

Sandro Visca, Senza titolo

Four-colour screen print on packaging cardboard; edition of 100 (numbered 1 to 100) with a tactile insert. 48×48 cm.

Edizioni L’Uovo, L’Aquila.

1990–1999

1992

Sandro Visca, Ex Libris * Luciano Fabiani”

Etching on Fabriano paper; edition of 30 (numbered 1 to 30). 35×25 cm.

1994

Sandro Visca, Senza titolo

Two-colour screen print on cardstock with stitched thread and collage; edition of 100 (numbered 1 to 100). 29×19 cm.

1995

Sandro Visca, “Notturno”

Plate made of ceramic with third-fire glaze; limited edition of 50 (numbered 1 to 50), signed and numbered on the back by the artist. Produced for the “Il grande firmamento” installation. (Diameter: 32 cm)

Edizioni Iniziative, Pescara.

Sandro Visca, “Paesaggio d’amore”

Four-colour screen print with hand-applied collage by the artist on Fabriano cardstock (oval die-cut); edition of 90 (numbered 1 to 90). 35 × 50 cm.

1998

Sandro Visca, “Paesaggio Fatato”

Porcelain plate fired using third- and fourth-fire techniques; edition

limited to 90 (numbered 1 to 90), signed and numbered on the back by the artist. (Diameter: 31 cm)

Edizioni Iniziative, Pescara.

2000–2009

2000

Sandro Visca, “In Itinere”

Multiple printed on “Artist Grande Canvas” cotton canvas; limited edition of 20 (numbered 1 to 20).

First edition numbered 1 to 10 in Arabic numerals; second edition numbered 1 to 10 in Roman numerals.

(Size: 250 × 16 cm) Edizioni Graf Colour, Montesilvano (Pescara).

2007

Sandro Visca,

Porcelain plate, limited edition of 100, signed and numbered on the back by the artist (diameter 32 cm).

Edizioni Iniziative, Pescara.

Sandro Visca,

Porcelain plate, limited edition of 10, signed and numbered on the back by the artist (diameter 31.5 cm).

Edizioni Iniziative, Pescara.

2010–2019

2012

Sandro Visca, “CUORE ROSSO”.

Ceramic heart made of two shells bound by black cords (edition of 100), numbered on the inside and signed on the outside by the artist (dimensions 18x11x6 cm).

2013

Sandro Visca, “CUORE VERDE”.

Ceramic heart made of two shells bound by black cords (edition of 300), numbered on the inside and signed on the outside by the artist (dimensions 18x11x6 cm).

2019

Sandro Visca, “SOLE NOTTURNO”.

Multiple in black honeycomb cardboard with synthetic colours and hand-applied textural inserts (edition of 99) (dimensions 59.5x49x2 cm).

Edizioni Zaccagnini per l’Arte.

2020–2025

2021

Sandro Visca, “ASPARAGUS”.

Portfolio containing a text by Rita Olivieri and three colour lithographs on Natural Evolution White 320 g/m² paper (edition of 99).

Edizioni Zaccagnini per l’Arte.

2022

Sandro Visca

Colour lithograph on Natural Evolution White 320 g/m² paper with a screen-printed insert on transparent acetate (edition of 99) (dimensions 45×60 cm).

Edizioni Zaccagnini per l’Arte.

2023

Sandro Visca “FRAGILE”

Four-colour lithograph with graphite and gold paste, featuring a paper insert applied by hand by the artist.

Edition of ninety-nine copies, numbered and signed by the artist; issued with the exhibition catalogue, Edizioni FLR / Fondazione La Rocca.

Theatre and public projects
1960–1969

1963

Studio 2 Roio; directed by Angelo Colagrande; music and choreography by Tonino Stromei; set design by Sandro Visca; Teatro Rex, L’Aquila.

1964

La carica dei cavalletti; directed by Riccardo Colucci; music and choreography by Tonino Stromei; set design by Sandro Visca;

Teatro Rex, L’Aquila.

1969

L’Avventura di un povero cristiano [The Story of a Humble Christian] by Ignazio Silone; directed by Valerio Zurlini; set design and costumes by Alberto Burri; set construction by Sandro Visca. 24th San Miniato Theatre Festival, San Miniato. (3 backdrops, 10 × 7.50 m: 1) Combustione bianca [White Combustion], 2) Combustione rossa [Red Combustion], 3) Sacco [Sack]). The Combustione bianca and the Sacco are part of the Fondazione Palazzo Albizzini Collezione Burri in Città di Castello.

1990–1999

1992

Firmamento di terra [Firmament of Earth], installation (straw bales and flickering flame-effect lights). Teatro dei Colori (Avezzano), Municipality of Collelongo, Pro Loco Collelongo.

1995

Il grande firmamento [The Great Firmament], environmental installation. The project features a wooden structure with a floor inclined at five degrees and lined with black felt; the interior is completely darkened, and the ceiling—painted on black canvas with fluorescent tempera—is illuminated by Wood’s lamps (blacklight). (Entrance: 2 × 2 × 2.50 m, fully darkened and enclosed by black curtains; interior space: 5 × 5 × 3.50 m).

Music from:

LA MUSICA NUOVA

Gazzelloni / Maderna

Karlheinz Stockhausen

KONTRA – PUNKTE

Krzysztof Penderecki

AUX VICTIMES DE HIROSHIMA – THRENE

Frederick Rzewski, pianista

Soloists of the Rome Symphony Orchestra, conducted by Bruno Maderna.

2000–2009

2006

Sandro Visca, “Itineris”: A Stations of the Cross for Ofena. (Permanent installation). Design and artistic direction by Sandro Visca.

The imagery for the fourteen Stations of the Cross was created using photo-ceramics, featuring works by: Gino Marotta, Valeriano Trubbiani, Joe Tilson, Sandro Visca, Fausto Cheng, Mauro Andrea, Sergio Vacchi, Hermann Albert, Paolo Baratella, Louis Cane, Mikhail Koulakov, Giannetto Fieschi, Claudio D’Angelo, and Mauro Berrettini.

TV – Video and film
1970–1979

1970

TV – Radio Televisione Italiana, TG3 Abruzzo, March.

1973

TV – Radio Televisione Italiana, “Cronaca italiana”, February 15.

Giuseppe Rosato, RAI – Third Programme, “Panorama delle arti” segment, March 28.

1974

TV – Radio Televisione Italiana, TG3 Abruzzo, April.

1975

Sandro Visca, “Un cuore rosso sul Gran Sasso” (an art film shot on 16mm stock), promoted by the School of Dramatic Culture of L’Aquila with technical participation from the Teatro Stabile dell’Aquila.

TV – Radio Televisione Italiana, TG3 Abruzzo, December.

1976

Bianca Maria Piccinino, TV – Radio Televisione Italiana, TG1 Rome, November.

1980–1989

1980

TV – Radio Televisione Italiana, TG3 Abruzzo, January.

1983

TV – Radio Televisione Italiana, TG3 Abruzzo, December.

1984

TV – Radio Televisione Italiana, TG3 Abruzzo, December.

1985

TV – Radio Televisione Italiana, TG3 Abruzzo, December.

1986

TV – Radio Televisione Italiana, TG3 Abruzzo, August.

TV – Radio Televisione Italiana, TG3 Abruzzo, December.

1990–1999

1991

TV – Radio Televisione Italiana, TG3 Abruzzo, June.

TV – Radio Televisione Italiana, TG2 Pegaso, Rome, June.

1992

TV – Radio Televisione Italiana, TG3 Abruzzo, January.

TV – Radio Televisione Italiana, TG3 Lazio, May.

1995

TV – Telemare, Pescara, June.

TV – Telemare, Pescara, July.

TVQ – Pescara, July.

1999

Ediostudio – Istituto Statale d’Arte per la Ceramica “F. A. Grue”, Castelli. International collection of ceramic art, Regional Museum, Castelli, July (VHS videocassette).

Gianfranco Colacito, TV1 – L’Aquila, December (interview).

2000–2009

2000

TV – Telemare, Pescara, January.

Giovanni Verna, TV – Radio Televisione Italiana, TG3 Abruzzo (interview), January.

TV – Radio Televisione Italiana, TG3 Abruzzo, February.

TV L’Aquila, September. (interview).

TV – Teleabruzzo, L’Aquila, September.

TV – Radio Televisione Italiana, TG3 Abruzzo, September.

2001

Paolo Iammarrone, Sandro Visca, “In intinere”, Typos – Istituto di Cultura fotografica, Pescara (VHS videocassette and DVD).

2006

TV – Radio Televisione Italiana, TG3 Abruzzo, May 22.

Vincenzo Mollica, TV – Radio Televisione Italiana, TG1 Rome, July 1.

Antimo Amore, TV – Radio Televisione Italiana, TG3 Abruzzo (live interview), July 31.

Radio Città Futura (live interview), December 15.

Vincenzo Mollica, TV – Radio Televisione Italiana, TG1 Rome, December 16.

2000

Fabrizio Masciangioli, TV – Radio Televisione Italiana, TG3 Abruzzo, Pescara, September 20.

2008

TV – Telemare, Pescara, March.

Franco Farias, TV – Radio Televisione Italiana, TG3 Abruzzo, April.

TV6 – Chieti, April.

Tv8 – Pescara, April.

TV – Telemax-Pescara, April.

TV6 – Chieti, May. Franco Farias, TV – Radio Televisione Italiana,

TV, Radio Televisione Italiana Pescara, TG3 Abruzzo, July.

2009

Radio Delta 1, Pescara, January.

Radio – Rai Terzo Programma, Roma, July.

2010–2019

2010

Maria Rosaria La Morgia, TV – Radio Televisione Italiana, TG3 Abruzzo, Pescara, June.

Maria Rosaria La Morgia, TV – Radio Televisione Italiana, TG3 Abruzzo, Pescara, August.

2011

Sandro Visca, “Un cuore rosso sul Gran Sasso” (art film) Special Event, Italy/Abruzzo Pavilion – 54th International Art Exhibition of the Venice Biennale, marking the 150th anniversary of the Unification of Italy, 05/08–30/09.

TV6, 1 September.

Michele Di Toro, CD – Echolocation (solo piano), Track 5 – music composed and arranged for the art film “Un cuore rosso sul Gran Sasso” by Sandro Visca, Special Event at the Italy Pavilion of the 54th Venice Biennale, April.

2012

Plinio Perilli, SKY 897, 21 February.

Fabrizio Masciangioli, TV – Radio Televisione Italiana, TG3 Abruzzo, Pescara, November 9.

Fabrizio Masciangioli, TV – Radio Televisione Italiana, TG3 Abruzzo, November 10.

Corti nell’Arca – Alternative Cinema Showcase, Multisala Smeraldo (Teramo), “Un cuore rosso sul Gran Sasso” by Sandro Visca, April.

2013

“Elegia per la vita”, documentary film by Germano Scurti produced for Convergenze-Matta-Città-Arte-Utopia, Pescara, May 11–12.

2014

TV – Radio Televisione Italiana, TG3 Abruzzo, December 4.

2015

CAI (Italian Alpine Club), National Conference on Hiking – Ussita, Sibillini Mountains National Park, screening of the film “Un cuore rosso sul Gran Sasso”, June 26.

2016

Lucio Valentini, Rainews 24 – Rai News, October 25.

2018

Lucio Valentini, TV – Radio Televisione Italiana, TG3 Abruzzo, September 19;

2019

Edoardo Petti, TV – Radio Televisione Italiana, TG3 Abruzzo, November 27;

VISCA, documentary, production by Vario-Film Pescara in collaboration with Valagro SpA (Atessa). Directed by Andrea Carella (duration: 45 minutes), December 7;

2020–2025

2022

TG1, Radio Televisione Italiana – Rome, July 17;

Silvana Ferrante, TV – Radio Televisione Italiana, TG3 Abruzzo, July 17;

TV – Radio Televisione Italiana, TG3 Abruzzo, July 18;

TV – Radio Televisione Italiana, TG3 Abruzzo, July 19;

2023

TV – Radio Televisione Italiana, TG3 Abruzzo, March 10;

Super J TV, Pescara 21 June;

2024

Rete 8, Pietro Lambertini, Pescara, 23 May;

TV – Radio Televisione Italiana, TG3 Abruzzo, July 13;

Catalogues, monographs, and general works

“Gruppo 5”, Desiato, Di Vincenzo, Mariani, Pappa, Visca, Gran Derby exhibition space, San Benedetto del Tronto, May 20 – June 5, 1964 (catalogue text by Sandro Visca);

Sandro Visca, Grand Hotel et du Parc, L’Aquila, November 1–15, 1964 (catalogue text by Emidio Di Carlo);

Emidio Di Carlo, “ Incontri presenze”, 30 anni di pittura e scultura a L’Aquila [30 Years of Painting and Sculpture in L’Aquila], Edizioni c. c. 3m, pp. 70, 78, 83, 114, 115, 116;

L’Aquila 1966; Roberto Simari, “Chi è d’Abruzzo”, Associazione Italiana Biblioteche, D’Amato publisher, Sulmona 1966;

Sandro Visca, Palazzo Cappelli, L’Aquila, January 1967 (catalogue text by Sandro Visca);

“Catalogo della pittura europea contemporanea”, edited by Alfonso Stefano Sposato, Piccioli publisher, Milan 1970;

Sandro Visca, Galleria Arte d’Oggi, Pescara, March 10–21, 1970 (text in solo exhibition catalogue by Nicola Ciarletta);

“Pittori italiani contemporanei”, edited by Il Centauro and Critica d’Arte Oggi, Panepinto (publisher), 1970;

Errico Centofanti, “Il T. S. A. in Italia e in Abruzzo”, Teatro Stabile dell’Aquila edition, 1970;

24th F. P. Michetti National Prize, Francavilla al Mare, 1970 (catalogue texts by Nicola Ciarletta and Marcello Venturoli);

Sandro Visca, Galleria Il Pozzo, Città di Castello, October 3–14, 1970 (text in solo exhibition catalogue by Lamberto Giancarli);

Sandro Visca, Galleria Zodiaco, Assisi, October 24–31, 1970 (text in solo exhibition catalogue by Lamberto Giancarli);

“La festa del teatro”, Istituto del Dramma Popolare, San Miniato, 1971;

“Pittori e scultori contemporanei”, edited by O. Tani, Donadei (publisher), Rome, 1971;

Sandro Visca, Saletta Filippo Palizzi, Vasto, May 18–30, 1971 (text in solo exhibition catalogue by Aleandro Rubini);

Sandro Visca, Centro d’Arte Santelmo, Salò, June 1–18, 1971 (text in solo exhibition catalogue by Benito Sablone);

25th F. P. Michetti National Prize, Francavilla al Mare 1971 (catalogue text by Luigi Lambertini);

Sandro Visca, Civic Museum of Modern Art, Penne, July 10–17, 1971 (text in solo exhibition catalogue by Aleardo Rubini);

5th City of Penne Prize, Cloister of San Domenico, Penne, July 10, 1971 (catalogue texts by Aleardo Rubini);

Catalogo nazionale Bolaffi della pittura [Bolaffi National Painting Catalogue], Turin 1972;

“Eco della critica”, edited by O. Tani, Donadei (publisher), Rome 1973;

Bolaffiarte n. 26, p. 116, Milano January 1973;

Sandro Visca, Galleria Pace, Milan, 18 January – 4 February 1973 (text in solo exhibition catalogue by Lucio Fraccacreta);

Sandro Visca, Galleria Pacedue, Turin, 8–28 February 1973 (same catalogue as Galleria Pace, Milan 1973);

XV Milan Triennale, Italian Section, “Lo Spazio Vuoto dell’Habitat”, edited by Eduardo Vittoria, Milan 1973 (in Sandro Visca catalogue, pp. 58 and 161);

“Arte Italiana Contemporanea”, edited by E. Mercuri, La Ginestra (publisher), Florence;

Scalco delle Tre Marie, Palazzo Iacopo Notar Nanni, L’Aquila, 4–24 April 1974 (text in solo exhibition catalogue by Gino Marotta);

Sandro Visca, Laboratorio Comune d’Arte Convergenze, Pescara, December 1974 – January 1975 (object-catalogue – Edizioni Convergenze, 1974);

Sandro Visca, Centro d’Arte Il Cubo, Lanciano, February 15–27, 1975 (text in solo exhibition catalogue by Gino Marotta);

Giorgio Di Genova, “Le Realtà del Fantastico” – L’arte fantastica in Italia dal dopoguerra a oggi, Editori Riuniti, Rome 1975, p. 24;

Andrea Pazienza, “Storia di una convergenza”, Edizioni Convergenze, Pescara, May 1975;

“Mixer”, Museo Alternativo Remo Brindisi, Integrazione delle Arti, Lido di Spina 1978;

Sandro Visca, “Incontri 78”, Chiostro San Francesco, Loreto Aprutino, September 1978 (text on Sandro Visca by Gino Marotta);

Dario D’Alessandro, “Pescara cinquant’anni”, Italica, Pescara 1980;

Sandro Visca, Centri di Servizi Culturali della Regione Abruzzo, “Un Cuore Rosso sul Gran Sasso”, Pescara, January 19–29, 1980 (catalogue texts by Diego Carpitella, Franco Summa, Adina Riga);

Vincenzo Mollica, “Milo Manara e Andrea Pazienza”, Editori del Grifo (text by Sandro Visca), Montepulciano, March 1983, p. 136;

XXXVI Premio Nazionale F. P. Michetti, “L’immagine diversa”, Francavilla al Mare, July 1983 (catalogue text by Marcello Venturoli);

“Intimità dell’Indagine”, Psychoanalysis and Art/Psychoanalysis and Aesthetics, Civic Galleries of Modern Art, Palazzo Massari, Ferrara, May 22–June 19, 1983 (text by Giorgio Misticoni);

Sandro Visca and Pasquale Liberatore, “Parole di terra parole nell’aria”, Quarto di Santa Giusta Multimedia Centre, L’Aquila, December 22, 1984–January 15, 1985 (catalogue text by Tito Spini);

“L’Onda del Sud?” [The Southern Wave?], New Mediterranean imagery in design, Castello Svevo, Bari, June 22–July 14, 1985 (catalogue text on Sandro Visca by Enrico Crispolti);

Enrico Crispolti, Sandro Visca, “Fuochi d’Amore”, Quaderni di Questarte, Questarte Libri (published on the occasion of the solo exhibition at Galleria Questarte), Pescara, December 1985;

38th F. P. Michetti National Prize, “Il Mare”, Francavilla al Mare, July 1986 (catalogue text on Sandro Visca by Enrico Crispolti);

“Catalogo dell’Arte Moderna Italiana” no. 22, publisher Giorgio Mondadori e Associati, Milan, 1986;

“Cinque Artisti e una Città”, Galleria Questarte, Pescara, July 19–August 30, 1986 (catalogue text on Sandro Visca by Enrico Crispolti);

“Arte e Territorio”, Man and Nature, Collelongo, August 1986 (catalogue text on Sandro Visca by Marcello Venturoli);

Enrico Crispolti, Tito Spini, Sandro Visca “Cuciti”, Edizioni del Gallo Cedrone, L’Aquila, December 1986 (published on the occasion of the solo exhibition at the Forte Spagnolo, L’Aquila);

“Intinèraires Parallèles”, Neuchâtel, Switzerland, May 15–25, 1987 (Edizioni Mazzotta; catalogue text on Sandro Visca by Enrico Crispolti);

“Parallel Itineraries”, University Art Gallery, McMaster University, Hamilton, Canada, September 9–29, 1987 (Edizioni Mazzotta; catalogue text on Sandro Visca by Enrico Crispolti);

“Mare & Mare”, International Sea Biennale (Biennale Internazionale del Mare), Castel dell’Ovo, Naples, June 1988 (catalogue text on Sandro Visca by Marcello Venturoli);

“Dittico”, University of L’Aquila, June 1–12, 1988 (catalogue text on Sandro Visca by Antonio Gasbarrini);

“Catalogo Bolaffi” 88-89; “Ripe 88”, Ripe San Ginesio, Macerata, July 1988 (catalogue text on Sandro Visca by Enrico Crispolti);

“Alternative Attuali”, Pittura per musica [Painting for Music], L’Aquila, July 23 – August 7, 1988 (catalogue text on Sandro Visca by Enrico Crispolti);

“Arte Abruzzo 90”, Pratola Peligna, July 15–30, 1989 (catalogue text on Sandro Visca by Carlo Fabrizio Carli);

“Duplice Versante”, Town Hall, City of Campomarino, August 1–15, 1989 (catalogue text by Leo Strozzieri);

10th Regional Art Exhibition, City of Penne, “Il Segno e i suoi dintorni”, Penne, July 28 – August 25, 1990 (catalogue text on Sandro Visca by Antonio Gasbarrini);

Andrea Pazienza (cover features a portrait of Sandro Visca by “Il Cardinale Sandro X°”, 1975 – felt-tip pen, 70×100 cm), Editori del Grifo, Montepulciano, March 1991;

Sandro Visca, “I Giardini dell’Amore”, L’Acacia publishing house, L’Aquila, June 1, 1991 (text in the Sandro Visca exhibition brochure);

Sandro Visca “Paesaggio di Fate”, Experientia ART &, Edizione Grafiche Italiane, Teramo, November 1991 (text in the exhibition leaflet by Nerio Rosa);

“Textilia 91”, Painting Versus Weaving, Basilica Palladiana, November 9 – December 22, 1991 (catalogue text by Enrico Crispolti);

Sandro Visca, Ente Manifestazioni Pescaresi, “Il grande firmamento” (installation), Pescara, July–August 1995 (text in solo exhibition catalogue by Daniele Cavicchia);

Sandro Visca, “1974-1994”, Sala del diritto comune, Palazzo Ducale, University of Camerino editions, 21 October–4 November 1995 (solo exhibition catalogue texts by Lucio Fraccacreta, Enrico Crispolti, Tito Spini and Ruggero Pierantoni).

Enzo Biffi Gentili and Eduardo Alamaro, “Raccolta Internazionale di Ceramica d’Arte Contemporanea”, Faenza Editrice publishing group, volume three, Istituto Statale d’Arte “F. A. Grue” for ceramics, Castelli, Teramo, January 1996.

Sandro Visca, “Vessilli d’Amore”, Museo Sperimentale d’Arte Contemporanea, L’Aquila, Edizioni Tracce, Pescara, December 1996 (catalogue texts by Nicola Ciarletta, Benito Sablone, Lucio Fraccacreta, Gino Marotta, Diego Carpitella, Enrico Crispolti, Tito Spini and Ruggero Pierantoni).

“Teatro novantasette”, Teatro D’Annunzio, Edizioni Tracce, Pescara, 9 July–18 August (text by Nicoletta Di Gregorio).

Andrea Pazienza, Le straordinarie avventure di Pentothal, Baldini & Castoldi, Milan, September 1997; references to Sandro Visca on pp. 42, 43, 138, 144, 148;

Andrea Pazienza, Antologica (Retrospective), Baldini & Castoldi, Pescara, April 25 – June 21, 1998 (catalogue text by Sandro Visca), p. 6;

Enrico Crispolti, La raccolta internazionale d’arte ceramica contemporanea [The International Collection of Contemporary Ceramic Art], Castelli (Teramo), July 1988; Abitare il tempo: Mostre di sperimentazione e ricerca [Living in Time: Exhibitions of Experimentation and Research], Verona Exhibition Centre, Edizioni Grafiche Zanini (catalogue text by Mariano Apa), October 9–12, 1998, pp. 108–117;

Liceo Artistico Statale [State Art High School] “Giuseppe Misticoni”, Cinquantenario del Liceo Artistico Statale “Omaggio a Giuseppe Misticoni” [Fiftieth Anniversary of the State Art High School “Omaggio a Giuseppe Misticoni”], Pescara, December 1998 (catalogue texts by Luigi Paolo Finizio, Alberto Trivilino, Nerio Rosa), pp. 60–63;

Eugenio Riccitelli, Museo e archivio di artisti abruzzesi contemporanei [Museum and Archive of Contemporary Abruzzese Artists], Edizioni del Museo, Nocciano, December 20 (text by Enrico Crispolti), p. 36;

Antonio Gasbarrini, “Artisti & Venti” a L’Aquila, 1944–1999: Rassegna d’arte moderna e contemporanea [“Artisti & Venti” in L’Aquila, 1944–1999: Modern and Contemporary Art Exhibition], Angelus Novus Edizioni, L’Aquila, Forte Spagnolo, July 18–August 8, 1999;

Mariano Apa, Epicaforma, Realtà A.P.T.R., Toronto, Canada, August 18–September 6, 1999;

Artisti per la 705ª Perdonanza Celestiniana [Artists for the 705th Celestinian Forgiveness Celebration], Alitalia per l’Arte Edition, L’Aquila, Forte Spagnolo, August 14–September 26, 1999 (catalogue text by Massimo Duranti);

12th Camerino-Noordwijkerhout Symposium, Receptor Chemistry Towards The Third Millennium, University of Camerino Audiovisual and Printing Centre, September 5–9, 1999, p. 35;

Giuseppe Rosato, Quei giovani amici pittori [Those Young Painter Friends], Cronache d’arte 1970-1978 [Art Chronicles 1970–1978], Castello di Nocciano Museum of Arts Editions, December 1999, pp. 49–52;

“Sandro Visca”, Abruzzi – “L’arte del far cucina”, G.T.E. Publishing Group, L’Aquila, December 1999 (text by Sandro Visca);

Visca, “In intinere”, Gallery of Modern Art, Palazzo Ricci, Macerata, February 26 – March 31, 2000 (catalogue text by Paola Ballesi);

Visca; “In intinere”, Chiesa del Suffragio, Corinaldo, May 28 – June 28, 2000 (text in exhibition leaflet by Ruggero Pierantoni);

World Festival of Art on Paper, Kranj – Slovenia, September 1–15, 2000 (catalogue text by Berislav Valusek);

Natività in ceramica [Ceramic Nativity Scene], Church of Santa Maria degli Angeli, Castelli, December 20, 2000 – January 31, 2001 (catalogue text by Antonello Rubini);

Anna Ventura, La musa errante: percorsi critici di un ventennio ed oltre [The Wandering Muse: Critical Paths Spanning Over Twenty Years], Bastogi Editrice Italiana, Foggia, March 2001, p. 124-125;

Fabio Ciceroni, Over a Century of Public Transport in the Marche – The Bucci Company 1881–2000, Volume II, Centro Studi Domenico Grandi, Corinaldo, April 2001, p. 173;

Mail-Art, International Exhibition, Galleria Civica d’Arte Contemporanea, Termoli, 16 December 2001 – 6 January 2002 (catalogue texts by Achille Pace, Raffaele Nigro, Ruggero Maggi, Fausto Pacci); Giuseppe Iammarrone, Le farchie, Edizioni Tracce, Pescara, May 2002 (text by Maria Luisa Meoni), pp. 9, 11, 12, 22, 137;

Artistic Paths in Abruzzo, Sala G. Trevisan, Giulianova, 29 January – 30 September 2002 (catalogue text by Carlo Fabrizio Carli);

35th Vasto Prize: The Second Half of the 20th Century in Italy – Strong Points of Reference, Vasto, 27 July – 13 October 2002 (catalogue text by Enrico Crispolti);

Sandro Visca, Mare & Mare – Segni della riviera Adriatica D’Abruzzo, published by Liceo Artistico Statale “G. Misticoni”, Pescara, July 2002.

Luciano D’Angelo, Tirino – La memoria del fiume, D’Abruzzo libri, Edizione Menabò, Pescara, July 2002, pp. 85–119;

900 – Artisti ed Arte in Abruzzo, edited by Antonio Gasbarini and Antonio Zimarino, C. F. Edizioni scientifiche, Pescara, July 2002, pp. 130, 141, 143, 173, 178, 182, 191, 233, 234, 241;

“Romics 2002” – International Comics and Animation Festival – Paz Day – A day dedicated to Andrea Pazienza. Unpublished drawings, personal accounts, and tributes featuring Sandro Visca, Monica De Sario, Isabella Damiani, Luca Raffaelli, Krakatoa, Franco Giubilei, Sergio Angiese, Roberto Perini, and Vincenzo Sparagna. Sala Colonna, Fiera di Roma, October 3–6, 2002, p. 9;

Arte contemporanea internazionale, Vox Ecomunicazioni, Rome, December 2002 (catalogue text by Stefano Marotta);

Viaggio per Terra: Undici scultori a Castelli [Journey through Earth: Eleven Sculptors in Castelli], International Ceramic Workshop on Salita Paradiso, Castelli, December 8, 2002 – January 7, 2003 (catalogue text by Antonello Rubini);

“Fiducia-Visca”, Los Angeles, San Francisco, Vancouver, Toronto, Montreal, New York, Washington (Exhibition promoted by the Presidency of the Regional Executive Board of the Abruzzo Region), February–March 2003 (texts by Maria Cristina Ricciardi);

Visca “Teatrini”, Edizioni Tracce, Pescara – Ofena Town Hall Council Chamber, curated by Antonello Rubini, July 5 – August 31, 2003;

Claudio Spadoni, Arte e Artisti nel mondo della ceramica – La raccolta internazionale d’arte ceramica contemporanea [Art and Artists in the World of Ceramics – The International Collection of Contemporary Ceramic Art], Andromeda Editrice, Colledara (TE), August 2003, pp. 23–246;

Antonio Zimarino, Liceo Artistico “G. Misticoni”. Vicende, testimonianze e contesto di un’esperienza italiana, dal 1947 al 1998 [“G. Misticoni” Art High School: Events, Testimonies, and Context of an Italian Experience, 1947–1998], Pescara, May 2004. Pp. 26–33, 47–81, 123–139, 154;

“I Ciarletta”, Casa Editrice Textus, L’Aquila, April 29, 2004 – May 30, 2004. (Catalogue texts by Antonio Calenda, Rocco Donnici, Marcello Gallucci, Giancarlo Gentilucci, Anna Laura Messeri) pp. 6–7, 21–22;

Arte contemporanea d’Abruzzo [Contemporary Art of Abruzzo], Gangemi Editore, Rome, August 7 – September 25, 2004. (Catalogue text by Antonello Rubini) pp. 5, 11–12, 35, 47;

XXVI Premio di arte contemporanea “Enrico Mattei” [26th “Enrico Mattei” Contemporary Art Prize], Civitella Roveto, August 18 – September 5, 2004. (Catalogue texts by Luigi Lambertini, Carlo Fabrizio Carli, Mariano Apa) pp. 27-63-64-65-66-110;

Enrico Fraccacreta, Michele Trecca, Enzo Verlengia, “Pazienza – geografia della memoria”, Edizione Felice Chirò, San Severo, December 2004, pp. 106, 136, 150, 153, 158, 159, 162–172, 179–184, 198, 200, 222, 267, 268;

“L’Abruzzo Nel Novecento”, Ediars, Pescara, December 2004, edited by Umberto Russo and Edoardo Tiboni, p. 279;

Franco Giubilei, Le donne, i cavalier, l’arme, la roba – Storia e storie di Andrea Pazienza, Edizioni BD, Scandiano (RE), April 2005, pp. 29–32;

Andrea Pazienza – Amore, è tutto ciò si può ancora tradire, Fandango Libri, Rome, September 2005 (texts in the catalogue by Walter Veltroni, Alessandro Nicosia, Roberto Benigni, Mariella Pazienza, and Vincenzo Mollica). References to Sandro Visca on pp. 2, 10, 15–18, 114;

Alessandro Biondo, Dalla figurazione all’astrazione geometrica del concetto, edited by Anna Maria Cirillo, Pescara, September 2005, p. 127;

“Le due rive” – Italian and Croatian Artists, De Luca Editori D’Arte, October 2005 (catalogue texts by Antonello Rubini and Jasminka Poklecki Stosic) pp. 9, 56, 65;

Museum of Art of 20th-Century Italian Generations (Museo d’Arte delle Generazioni Italiane del ’900) “G. Bargellini”, permanent collection catalogue Vol. 7: Generations of the 1940s, Edizioni Bora, Bologna, October 2005 (catalogue texts by Giorgio Di Genova and Giulio Bargellini) pp. 17, 22, 23, 285, 348;

“Andrea Pazienza – Visca”, Edizioni Fandango Libri, Rome, May 2006 (catalogue texts by Sandro Visca and Federico Fiorenza) pp. 7, 8, 9, 10, 117, 118, 155;

“Arte per la vita” Lanciano 2006, edited by Vito Bucciarelli (catalogue text by Claudio Cerritelli), pp. 122–123;

Fulvio Muzi – The Man, the Artist, the Teacher – Abruzzo Studies Series Edition, L’Aquila, December 2006, edited by Paolo Muzi and Vincenza Turco, pp. 19, 37, 70;

Enrico Di Carlo, “Gente d’Abruzzo” Biographical Dictionary in Ten Volumes, Andromeda Editrice, Castelli (TE), December 2006, Volume 6, p. 62;

MAAAC Collection 1960–2006, a journey through contemporary art in Abruzzo, curated by Antonio Zimarino, Museo delle Arti Castello di Nocciano, Pescara, February 2007;

Di Pietro/Ferretti 1996–2006, Augusto Ferrara Editore, Pescara, March 2007, p. 21;

Giorgio Di Genova, “Storia Dell’Arte Italiana Del 900” – Generazione anni quaranta [Generation of the Forties], Edizioni Bora, Bologna, April 2007, pp. 123–126, 552n, 554n, 616n; illus.: 196–201;

Antonello Rubini, “Tredici domande a trentadue artisti”, Edizioni Arti e Pensieri, Rome, May 2007, pp. 75–76;

Qualità Abruzzo, Edizioni ZiP Adv, Pescara, June 2007, p. 61;

Adele Cicchitti, Carla Cotellessa, Il pane e la lingua – La dispensa Abruzzese, Lanciano 2007, Tabula Edizioni. Cover image by Sandro Visca (In itinere 1988–1999) in Volumes 1 and 2; Volume 2, p. 165;

Antonello Rubini, “Itineris” Una Via Crucis per Ofena, Edizioni Mazzotta, Milan, September 2007; catalogue texts by Sergio Cinquino, Monsignor Ersilio Tonini, Sandro Visca, Nicola Pescatore, Enrico Crispolti, Antonello Rubini; pp. 4, 7, 17–21, 26, 30–31, 45, 82–85.

“Visca” opere 1962-2008, Museo d’Arte Moderna Vittoria Colonna, Edizioni Textus – Pescara, 29 March – 4 May 2008; catalogue essay by Plinio Perilli and a “meta-biography” (combining narrative and interview) curated by Antonello Rubini; 216 pages;

Marcello G. Lucci – Vicende e storia critica del Premio Avezzano 1949-2001, Avezzano, July 2008; pp. 38–42, 211;

“Cento artisti per l’Aquila”, Museo d’Arte Moderna Vittoria Colonna, Pescara, 16–25 May, Edizioni Bora, Bologna, 2009; p. 48;

Fernanda Pivano, “Andrea Pazienza – Jacques Prévert”, Edizioni Fandango Libri, Rome, July 2009; pp. 2, 5;

Giorgio Di Genova, “Storia dell’Arte Italiana del 900” – Generazione anni quaranta (Tomo secondo) – Edizioni Bora, Bologna, September 2009; p. 1078 – 1079 – 1080n – 1147n. Ill. : 1824 – 1825 – 1826 – 1827;

Plinio Perilli, Cinema/Architettura – “Costruire lo sguardo” – A Synesthetic History of Cinema Through 40 Great Directors – Gruppo Mancosu Editore, Rome 2009, 512 pages;

The Book as a Work of Art, edited by Ivan D’Alberto and Enzo Fimiani, Istituzione Castello e Museo delle Arti, Nocciano 2010;

“La memoria delle farfalle” – Tribute to Ennio Di Vincenzo, December 2010, text in the catalogue by Sandro Visca, p. 41;

Franco Giubilei, Vita da Paz – History and Stories of Andrea Pazienza, Black Velvet Editrice, Florence May 2011, pp. 49–54;

Errico Centofanti, Quel ramo di mandorlo, Onegroup Edizioni, L’Aquila June 2011, pp. 63, 144, 220;

“Un cuore rosso sul Gran Sasso”, Textus Edizioni – August 5, 2011, texts by Umberto Palestini, Sandro Visca, Annunziata Taraschi, and Diego Carpitella, 126 pages;

Vittorio Sgarbi, LO STATO DELL’ARTE Regioni d’Italia, SKIRA Edizioni, Italian Pavilion – 54th Venice International Biennale – 2011, p. 45;

Umberto Palestini, “Un cuore rosso sul Gran Sasso”, L’Arca editions, December 2011, (Fold-out leaflet);

VISIONI – La fortezza plurale dell’arte [VISIONS – The Plural Fortress of Art], Silvana Editoriale, Civitella del Tronto (TE) – Bourbon Fortress, July–October 2012, curated by Giacinto Di Pietrantonio and Umberto Palestini, pp. 126–129;

“Zafferano Zaafran”, LD Editore, photographs by Luciano d’Angelo, text and illustrations by Sandro Visca, Pescara, September 2013, 144 pages;

Antonio Marchetti, Disegno dal vero [Drawing from Life], Edizioni Pendagron – Bologna, August 2014, pp. 119–120;

Ferdinando Gammelli, Di Paolo Edizioni – Pescara, November 2013, p. 9;

Antonio Di Muzio, Il teatro all’Aquila e in Abruzzo [Theatre in L’Aquila and Abruzzo], TSA-Cronaca e storia, Edizioni Ricerche&Redazioni, January 2015, pp. 241–242; Marco Tornar, L’esilio della cultura [The Exile of Culture], Edizioni Vario – Pescara, July 2015, p. 19;

Nutrimenti – Antologia di poeti italiani per L’EXPO 2015 [Nutrimenti – Anthology of Italian Poets for EXPO 2015], Edizioni Tracce, 26 June 2015, (Cover) + pp. 3, 13, 35;

Ivan D’Alberto – Sibilla Panerai, CORPO Estraneo-Straniero – Storia delle arti performative in Abruzzo [Foreign/Alien Body – History of the Performing Arts in Abruzzo], Verdone Editore, March 2015, pp. 9–10, 23–24, 48;

TEX d’autore [Tex by Auteur Artists] – Associazione Amici del fumetto Città di Castello, artistic direction by Vincenzo Mollica, Petruzzi Editore, September 2015, pp. 6, 199, 2011, 2017;

Sandro Visca, Perù – Donde se amarra el sol – Viaggio tra Arte Storia e Natura [Peru – Where the Sun Is Tethered – A Journey through Art, History, and Nature], Fondazione Pescarabruzzo, November 2015, 356 pages;

Sergio Adriani, L’Abruzzo nel piatto [Abruzzo on the Plate], Editore Alleanza per L’Aquila, December 2015, pp. 7, 13, 33;

Claudio Papola, Ancora avventura, Fondazione Mudima, Milan, April 2016, pp. 311–327;

Andrea Pazienza, Le straordinarie avventure di Pentothal, Gruppo Editoriale L’Espresso S.p.A., Rome, May 2016, p. 6;

Luigi Di Fonzo, Andrea Pazienza – il mio nome è Pentothal, Ianieri Editore, May 2016, pp. 23, 28, 31, 42, 57, 70, 71, 79, 158, 161, 163;

Andrea Pazienza, Gli anni giovanili, Gruppo Editoriale L’Espresso S.p.A., Rome, August 2016, pp. 7, 13, 14, 50–58, 63 (Visco little baffo garrulo), pp. 64–65 (Visk8 il poliziotto), pp. 66–80 (Jacques Prevert), p. 86 (Il cocktail), pp. 101–115 (L’ulcera), pp. 167–170, 172–175;

Andrea Pazienza, Convergenze, Gruppo Editoriale L’Espresso S.p.A., Rome, August 2016, pp. 8, 9, 18, 99, 116;

Ivan D’Alberto, Tutto è iniziato prima – Pescara e le sue gallerie d’arte: 1955-1975, Di Felice Edizioni, Martinsicuro (TE), October 2017, pp. 9, 70, 74, 84, 102, 115, 126, 139, 147, 160, 169, 201, 222, 229;

Anna Ventura, Streghe, One Group Edizioni, L’Aquila, February 2018, p. 29;

Andrea Pazienza, Extrasuperpaz, La Biblioteca di Repubblica – L’Espresso, 2018, p. 10;

Andrea Pazienza, 1988-2018 TRENT’ANNI SENZA, Coconino Press – Fandango Libri, May 2018, p. 78;

Tony Di Corcia, La femmina è meravigliosa – Vita impaziente di Andrea Pazienza, Cairo Editore, Milan, June 2018, pp. 21, 39, 133;

Percorsi D’Arte Contemporanea, Pescara, Museo delle Genti d’Abruzzo, curated by the Fondazione Genti d’Abruzzo, November 2018, p. 61;

L’AQUILA La Città e il Nuovo Millennio, Carsa Edizioni, Pescara, November 2018, p. 134;

Bruno Corà, Obiettivi su Burri, Fondazione Palazzo Albizzini Collezione Burri, Città di Castello; texts by Bruno Corà, Aldo Iori, Rita Olivieri; March 2019, pp. 24–25, 146–151, 204;

Il Gran Sasso nell’animo – Paesaggi di Fulvio Muzi, Edizioni Ricerche&Redazioni – Teramo; texts by Sabina Adacher, Antonella Muzi, Paolo Muzi, Marina Urbani; March 2019, pp. 33, 90;

Visca – Carte Inedite, Fondazione Pescarabruzzo / Edizioni Menabò; edited by Rita Olivieri; Pescara, November 2019, 204 pages;

Terra Mater – La natura, la bellezza, la vita, edited by Nicoletta Di Gregorio; Fondazione Pescarabruzzo and Ianieri Edizioni; Pescara, June 2020, cover – pp. 3, 13, 43;

Antonio Zimarino, Un segno rosso / Pescara 1960–1981 / L’arte contemporanea e le sue relazioni italiane, Fondazione Pescarabruzzo – Edizioni Menabò; Pescara, August 2020, p. 7 – 14 – 33 – 37 – 47 – 53 – 56 – 59 – 60 – 62 – 67 – 70 – 72 – 79 – 81 – 86 – 92 – 96 – 105 – 106 – 107 – 109 – 120 – 121 – 125 – 129 – 130 – 131 – 140 – 165 – 166 – 182 – 213 – 221 – 229 – 236;

Giacinto Di Pietrantonio, Pasolini Pascali Pazienza – Segni e disegni corsari, sferaedizioni & Fondazione Pino Pascali, Bari May 2021, pp. 2 – 37 – 133 – 137;

Le Guide – PESCARA, Linda de Sanctis, Edizioni La Repubblica, Rome June 2021, p. 126;

VISCA – INEDITO 2014/2022, FLR Edizioni Fondazione La Rocca, edited by Rita Olivieri, Pescara March 2023, 144 pages;

Giuseppe Misticoni – Paesaggi Interiori 1933-1989, Edizione Pescarabruzzo – Gestioni

culturali SRL, Pescara 22 December 2023 – 5 May 2024, pp. 6 – 7;

Sandro Visca FRACTURAE, Edizione Pescarabruzzo – Gestioni culturali SRL, Museo Carlo Bilotti – Aranciera di Villa Borghese, curated by Generoso Bruno, Rome, October 12, 2024 – January 12, 2025, 224 pages;

Andrea Pazienza – La matematica del segno, MAXXI L’Aquila – National Museum of 21st Century Arts, curated by Giulia Ferracci and Oscar Glioti, December 2025 / April 2026, pp. 1–6;

Antonio Zimarino, Convergenze – Collettivi artistici a Pescara e in Italia negli anni ’70, Carsa Edizioni, Pescara 2026, pp. 72, 73, 82, 95, 102, 111, 124;

Andrea Pazienza – non sempre si muore, MAXXI Rome – National Museum of 21st Century Arts, curated by Oscar Glioti and Giulia Ferracci, Edizioni Coconito Press Fandango Libri, April 2026, pp. 12, 13, 39, 93, 129, 169, 364, 367;

Specialist and general-interest magazines

D’Ars Agency, notiziario, anno V n. 5, 1964;

Lelio Pierro, Nuovi Orizzonti, no. 4/5, March–April 1964;

Emidio Di Carlo, L’Abruzzese no. 2, Pescara, October–November–December 1966, p. 11;

Emidio Di Carlo, L’Abruzzese no. 1, Pescara, January–February–March 1967, pp. 32–33;

Walter Tortoreto, L’Abruzzese no. 6, Pescara, March–June 1968, p. 10;

Circolo Letterario, Pescara, Year XI no. 2–3, June–September 1968, pp. 24–26;

Igino Lopez, Valigia Diplomatica, no. 105, p. 38;

L’Europeo, 19 March 1970;

Benito Sablone, Sandro Visca, Nac no. 34, p. 20, Milan, April 1, 1970;

Liana Bortolon, Grazia, art chronicles, September 6, 1970;

Benito Sablone, Nuove dimensioni, no. 7, p. 58, 1971;

Aleardo Rubini, Dimensioni, no. 1, Pescara, February 1971;

Benito Sablone, Nac n. 10, Milano October 1971;

Il Cigno, n. 12, Milano December 1972;

Gioacchino Li Causi, Valigia Diplomatica no. 139, Milan, January 1973;

Vittoria Palazzo, Arte Studio, Milan, January 1973;

Benito Sablone, Sandro Visca, Nac, Milan, March 1973;

Elda Fezzi, Le Arti n. 3, Milano March 1973;

Pier Carlo Santini, Ottagono, Milan, December 1973;

Giuseppe Rosato, Oggi e Domani no. 2, Pescara, December 1973;

Rykwert, Domus, Milano January 1974;

Eduardo Vittoria, Architettura, Year XIX No. 11, Milan, March 1974;

Aleardo Rubini, Oggi e Domani, Pescara, January–February 1975;

Antonio Gasbarini, Questarte No. 1, Pescara, October 1977;

Roberto Pasini, Questarte No. 42, “Ferrara -Artisti a Palazzo”, August 1983;

Francesco Iengo, Questarte No. 43, “Pietra e colore”, Galleria Questarte, Pescara, December 1983; Questarte No. 47, Pescara, January–March 1985;

Leo Strozzieri, Questarte, Pescara August 1985;

Giovanna Ralli, Casa Vogue, “Paesaggi di stoffa”, pp. 338–339, Milan, September 1985;

Enrico Crispolti, Questarte No. 49, Pescara, March 1986;

Juliet, Art Magazine, Trieste, February–March 1986;

Juliet, Art Magazine, Trieste 25 April 1986;

Segno n. 57, p. 11, Pescara 1986;

Rita Centofanti, Regione Abruzzo (“Un Cuore Rosso sul Gran Sasso” special issue), L’Aquila, August–September 1986, pp. 65–72;

Flash Art, Milano November 1986;

Antonio Gasbarrini, Questarte, p. 108, Pescara, December 1986;

Flash Art, Milano December 1986 – January 1987;

Luisa Marino, D’Abruzzo, p. 50 Pescara 1988;

Arigo Abaldi, “Venetomese” (review), Textilia 91, January, pp. 86–87;

Newsletter of the University of Camerino, Interdepartmental Audiovisual and Press Centre, Camerino, December 1995;

Vario, Le nuove etichette di Zaccagnini “firmate” da Sandro Visca e Marotta, Pescara, January 1966, p. 85.

Segno, December 1996, p. 20;

Rita Centofanti, “Vessilli d’Amore”, Abruzzo Region, L’Aquila, November–December 1966, pp. 96–97;

Fausto Ianni, “Vessilli d’Amore” di Visca allo Sperimentale dell’Aquila [Visca’s “Vessilli d’Amore” at the Sperimentale in L’Aquila], Provinciaoggi (quarterly publication of the L’Aquila Provincial Administration), January–March 1997, pp. 50–51;

Fabrizio Gentile, Various authors, Sandro Visca: Quando avevo Pazienza [Sandro Visca: When I Had Patience], Pescara, June 1998, p. 37;

d’Architettura, Architettura Urbanistica Paesaggio, “La città d’Abruzzo”, Pescara e l’area metropolitana adriatica, “I graffiti di Andrea Pazienza” (text by Sandro Visca), Rome, October 1998, p. 42.

Fabrizio Gentile, Various authors, Gente di Pescara [People of Pescara], Pescara, December 1998–January 1999, pp. 12–13;

Adriano Gatti, “Artigianato” tra arte e design [“Artigianato”: Between Art and Design], Abruzzo Region and Abitare il Tempo, Milan, July–September 1999, pp. 40–41;

Monica Morelli, Decoration – Le nuove tendenze di abitare il tempo, Ville & Casali, Rome, October 1999, pp. 46–48;

Maria Concetta Nicolai, D’Abruzzo, pp. 66–67, Pescara, January 2000 (text on Sandro Visca);

Marina Acitelli, Tratturo al muro, D – La Repubblica delle donne (supplement to La Repubblica), Rome, 29 February 2000, p. 64;

Maria Concetta Nicolai, “In intinere”, D’Abruzzo, Pescara, Winter 2000, pp. 66–67;

Carla D’Aprile, D’Abruzzo, Pescara, Spring 2000, p. 72;

Laura Ruggeri, Benvenuti nel Museo del futuro, Sette (weekly magazine of Corriere della Sera), Milan, 8 June 2000, p. 286;

Anna Maria Cirillo, Sandro Visca, Vario, Pescara, July–May 2000, pp. 44–48;

Anna Ventura, Sandro Visca, “L’Arte del far cucina”, Rivista Abruzzese, Lanciano, July/September 2000, pp. 286–287;

Visca, L’Impronta dell’arte sull’informazione, Stampa Abruzzese (special issue: 23rd Congress of the Italian Press – Information in the Third Millennium), Pescara, 14 November 2001, pp. 3, 21, 36, 40;

Paola Ballesi, “In itinere”, Itinerari del gusto, Teramo, May 2002, cover illustration and pp. 18–23;

Enrico Crispolti, La voce abruzzese, AD, Milan, September 2002, p. 154;

Itinerari del gusto, Teramo, May 2003, cover illustration and pp. 68–71;

Plinio Perilli, “L’architettura – Pescara e l’area metropolitana”, no. 578, p. 1001–1002, cinemarchitettura, Rome, December 2003;

“Itinerari del gusto”, Teramo, May 2004 (cover illustration by Sandro Visca);

Luca Raffaelli, Per scoprire l’arte di Andrea c’è voluta molta Pazienza [It Took a Lot of Patience to Discover Andrea’s Art], Il Venerdì (supplement to La Repubblica), Rome, September 16, 2005 (two reproductions featuring Sandro Visca), pp. 80–81;

Maria Grazia Predolin, La Cucina Italiana – In cucina da noi, Milan, October 2005, pp. 15–16;

Inter City Magazine, Pescara February 2006;

Luca Raffaelli, Pazienza e la storia inedita del suo strano professore [Pazienza and the Untold Story of His Strange Professor], XL La Repubblica, Rome, May 2006, pp. 10, 199–205;

Pandere, No. 1, Chieti, July/December 2006. Front cover photo: “Un cuore rosso sul Gran Sasso” by Sandro Visca;

Francesca Frediani, Quanta Pazienza [So Much Patience], Max, Milan, August 2006, p. 36;

David Vecchiato, XL La Repubblica, Rome, September 2006, p. 216;

Claudia A. Rossi, “Andrea Pazienza Visca”, Cultura Abruzzo, Carsa Edizioni, October–December 2006, p. 64;

Chiara Zocchi, Grazia, Rome, January 2007, p. 129;

Itinerari del Gusto, Teramo, March 2007, cover illustration by Sandro Visca; Andrea Pazienza Visca, “Una straordinaria creatività”, text by Sandro Visca, pp. 32–41; La Bandiera del gusto, p. 42.

Vario, Pescara August 2007, p.89.

Sipario, Pescara April 2008, p. 24;

Paolo Ferri, Mente Locale, Pescara April 2008, pp. 14–15;

Sipario, Pescara April-May 2008, p. 14;

Plinio Perilli, Vario, Pescara May–June 2008, pp. 80–81;

Modus Operandi Magazine, Pescara May 2008, p. 44;

Linus, Milan June 2008, pp. 112–122;

MU6, Il giornale dei Musei d’Abruzzo, Pescara, Year III/2nd Quarter 2008, p. 23;

Italia è Magazine, Montesilvano June–July 2008, p. 120;

Quaderni dell’Orsa (special issue), “Caro Andrea”, Foggia, 2009; Gabriella De Fazio, “intervista a Giuliana”, p. 8.

Gabriella De Fazio and Michele Piscitelli, “Una sedia per Andrea”, 2009, p. 48 – Antonello Vigliaroli.

Ivan Masciovecchio, Risorse D’Abruzzo, “Vivere per amore”, Pescara, July–September 2009, pp. 39–41.

Francesco Olivo, Gioia, Milan, 25 July 2009, p. 76;

Francesca Frediani, Max, Milan, August 2009, pp. 28–29;

Chiara Zocchi, Grazia, Milan, 17 August 2009, p. 170;

La dolce vita 113, Pescara, March–April 2010, pp. 44–46;

Giacinto Di Pietrantonio, Flash Art – No. 285, July 2010;

Vario, Pescara, December 2010 – January 2011, pp. XII–XV;

Luca Raffaelli, Il Venerdì di Repubblica, 24 June 2011, pp. 110–111;

Vario Ribalta, Pescara, July–August 2011, p. 55;

Alfredo Chiantini, Poliù, September–October 2011, pp. 8–11;

Ivan Masciovecchio, Tesori D’Abruzzo, October–December 2011, pp. 64–65;

Francesco Di Vincenzo, VARIO, November-December 2011, p. (Cover) and pp. 10 – 11 – 12 – 13 – 14 – 15;

Jessica Romano, MU6, Il giornale dei Musei d’Abruzzo 2011, p. 13;

Pablo Dell’osa, D’Abruzzo 2011, p. 49;

MU6, Il giornale dei Musei d’Abruzzo, Pescara, Year VII / 3rd Quarter 2012, p. 8;

Vario, March-April 2012, p. 3;

Vario, August – September 2012, pa. 31;

Abruzzo letterario, Chieti, July-December 2012, pp. 9 – 10;

Vario, August-September 2013, p. 56;

Luca Raffaelli, Il Venerdì di Repubblica, 20 September 2013, p. 116;

MU6, Il giornale dei Musei d’Abruzzo, Pescara, Year VIII / 4th Quarter 2013, p. 7;

Vario – Variogusto, December 2013, pp. 4 – 5 – 6 – 6 – 7;

Itinerari del gusto, Antologia d’Abruzzo, edited by Ruggero Gorgoglione, November 2013, pp. VI – VII – VIII – 38 – 58 – 78 – 79 – 80 – 81 – 82 – 83;

Gaetano Basti, D’Abruzzo, December 2013, pp. 10 – 11 – 12 – 13 – 14 – 15;

NERO, Supplement – ​​L’Aquila, February 18–20, 2014, p. 19;

Vario, April 2015, p. 49;

Vario, August-September 2015, p. 42 – 53;

Vario, December 2015, pp. 20–27, 64;

Oscar Buonamano, L’Espresso, May 2016, pp. 76–79;

Vario, June 2016, p. 44 – 45;

Vario, July 2018, p. 7 – 11;

Valley Life, March 2019, p. 7 – 16 – 17;

Marianna Masciolini, La Freccia – Year XI – No. 4, Edizioni Ferrovie dello Stato, April 2019, pp. 84–87;

Roberto Sala, Supplement to the issue of Segno, Summer 2022, pp. 46–47;

Cecilia Buccioni, Segno 290, March/April 2023, p. 78;

Maria Letizia Paiato, Segno, 6 April;

Linus, June 2023, N°06, p.1;

Francesca Rapini, D’Abruzzo, Summer 2023, pp. 6–9;

Roberto Sala, Supplement to issue 291 of Segno, Summer 2023, p. 26;

Luca Raffaelli, Lanciostory, No. 2519, Editoriale Aurea, July 17, 2023, pp. 32–34;

Luca Raffaelli, Lanciostory, No. 2520, Editoriale Aurea, July 24, 2023, p. 35 – 36 – 37;

Luca Raffaelli, Lanciostory, No. 2521, Edizioni Aurea, July 31, 2023, pp. 31 – 32 – 33;

Luca Raffaelli, Lanciostory, No. 2522, Edizioni Aurea, August 7, 2023, pp. 88–90;

Rivista del CINEMATOGRAFO, Fondazione Ente dello Spettacolo, July/August 2023, p. 79;

Ivan Masciovecchio, Tesori D’Abruzzo, July 10, 2024;

Ivan Masciovecchio, Tesori D’Abruzzo, December 9, 2024;

Lorenzo Pompeo, Left, 23 December 2024;

Newspapers and periodicals
1950–1959

1951

Il Tempo, L’Aquila 30 July;

1960–1969

1961

Stara, Sandro Visca emerges from his shell with a solo exhibition at Sala Eden, “Il Tempo”, L’Aquila, Sept. 10, p. 5;

Dic, Nothing improvised among Visca’s paintings, “Il Secolo”, L’Aquila, Sept. 10, p. 4;

“Il Tempo”, L’Aquila 5 nov. p. 4;

1962

“Il Messaggero”, L’Aquila 5 feb.;

“Il Messaggero”, L’Aquila 13 May;

“Il Tempo”, L’Aquila 24 mag. p. 5;

“Il Messaggero”, L’Aquila 24 May;

Nemo, “Il Messaggero”, L’Aquila 29 mag.;

Angelini, “Il Tempo”, L’Aquila 31 mag. p. 5;

“Il Tempo”, L’Aquila 4 ott. p. 5;

“Il Messaggero”, L’Aquila 27 ott.;

“Il Tempo”, L’Aquila 19 dic. p. 4;

“Il Messaggero”, Avezzano 21 dic.;

1963

F., “Il Tempo” Avezzano 3 gen. p. 4;

Bruno Vespa, “Il Tempo” L’Aquila 18 feb. p. 4;

“Il Messaggero”, L’Aquila 31 March;

Il Tempo, L’Aquila 7 April;

“Il Messaggero, L’Aquila 7 April;

“Il Messaggero”, L’Aquila 21 April;

Il Tempo, L’Aquila 22 April;

Stara, “Il Tempo” L’Aquila 23 apr. p. 5;

Bovi, “Il Messaggero”, Roma 23 apr. p. 3;

Tonino Scaroni, Il Tempo, L’Aquila 24 April;

El Cid, Il Messaggero, L’Aquila 28 April 1963;

Telestar, L’Aquila 5 May;

Nemo, “Il Messaggero”, L’Aquila 24 set. p. 5;

Dic, “Il Tempo” L’Aquila 27 set. p. 5;

Minore, “Il Messaggero”, L’Aquila 27 set. p. 4;

El Cid, “Il Messaggero”, L’Aquila 29 set. p. 5;

Augusto Pelliccione, Il Tempo, L’Aquila, October 1;

El Cid, Il Messaggero, L’Aquila 3 October;

Dic, “Il Tempo” L’Aquila 5 ott. p. 5;

M.N., Il Tempo, L’Aquila 13 October;

D.S., “Il Messaggero”, L’Aquila 3 November;

Dic., Il Tempo, L’Aquila 7 November;

1964

Il Messaggero, L’Aquila 12 February;

Il Tempo, L’Aquila 27 February;

Bruves(Bruno Vespa) Il Tempo, L’Aquila February;

Lelio Pierro, Il Genovese, 14 March;

Lelio Pierro, Il Genovese, 21 March;

Migone, “Il nuovo cittadino”, L’Aquila, Mar. 24, p. 4;

Lelio Pierro, Nuovi Orizzonti, Genoa, March/April;

L., “Il Tempo”, L’Aquila 28 mag. p. 5;

Lelio Pierro, Alla Bottega, Genova May/June;

G.R., Pensiero ed Arte, May/July;

Dic, Sandro Visca – Chronicle and painting, “Il Messaggero”, L’Aquila, Aug. 6, p. 5;

Barone, “Il Messaggero”, Sulmona 25 ott.;

Il Messaggero”, L’Aquila 25 ott.;

Sandro Visca’s second solo exhibition, “Il Messaggero”, L’Aquila, Oct. 31;

Dic., Sandro Visca, the painter who tells stories, “Il Messaggero”, L’Aquila, Nov. 7;

“Il Messaggero”, L’Aquila 11 nov.;

The miseries and absurdities of life in Visca’s stern contemplation, “Il Tempo” L’Aquila, Nov. 24;

Il Tempo, L’Aquila 22 December;

1965

Il Messaggero, L’Aquila 25 April;

Dic, “Il Messaggero”, L’Aquila 11 mag.;

Berenice, “Paese Sera” (Settevolante) 15 mag. 3;

N., “Il Messaggero”, L’Aquila 25 mag.;

Marra, “Il Giornale d’Italia” (Italian Chronicles) May 29/30;

“Il Messaggero”, L’Aquila 2 June;

Arturo Bovi, “Il messaggero”, June;

B., “Il Messaggero”, Sulmona 4 giu.;

B.Ves (Bruno Vespa), Tribute to Pirandello, “Il Tempo”, L’Aquila, June 9, p. 4;

“Il Messaggero”, L’Aquila 13 June;

“Il Messaggero” L’Aquila 22 June;

Dic, “Il Messaggero”, L’Aquila 26 giu.;

1966

Di Carlo, The “Biennale d’Abruzzo” won’t have an easy time, “Il Tempo”, L’Aquila, Aug. 15, p. 5;

“Il Tempo”, September 17: The “Anti Biennale” of dissident artists, “Il Tempo”, L’Aquila, Aug. 30;

“Realtà figurativa d’Abruzzo, “Il 17 settembre una mostra in contrapposizione alla Biennale Regionale, “Il Messaggero” Organizing Committee, L’Aquila, Aug. 31;

Group of artists against the 5th Abruzzo and Molise Biennale, “Abruzzo Nuovo”, L’Aquila, Aug. 15/31;

Stara, The moment of truth approaches for the stagnant L’Aquila Biennale,

“Il Messaggero”, L’Aquila 2 set.;

E.D.C., “Attualità”, L’Aquila 1 set.;

Dic, Controversy in the Abruzzo art world over the organization of the “Antibiennale”, “Il Mattino”, L’Aquila, Sept. 8;

“La Madia”, Biennale and Anti-Biennale in September in L’Aquila, L’Aquila, Sept.;

“Abruzzo Nuovo”, L’Aquila 15/30 set.;

Bruno Vespa, Five actual winners of the fifth “Biennale abruzzese”, “Il Tempo”, L’Aquila, Sept. 25, p. 4;

E.D., The Artists’ Challenge, “Il Tempo”, L’Aquila, Nov. 30, p. 4;

1967

Francesco Bruma, “La voce repubblicana”, L’Aquila, Feb. 2/3, p. 5;

La Madia, L’Aquila February/March;

Giorgio Tempesti, “Il Messaggero, Marsica News Section, April 22;

Leonello Farinacci, Il Tempo – Abruzzo News Section, April 23;

Giampiero Nicoli, Il Tempo, 29 April;

Benemeglio, “Il Messaggero”, L’Aquila, 29 April, p. 5.

C.E., “Il Tempo”, L’Aquila 17 giu. p. 3;

Stara, Definita la “Nuova situazione” dell’Arte in Abruzzo, “Il Messaggero”, L’Aquila, 18 June.

Il Tempo, L’Aquila 22 June;

“Il Tempo”, L’Aquila 24 giu. p. 7;

Agent., Il Messaggero”, Avezzano 10 ago.;

Il Tempo, Pescara 6 October;

1968

“Il Messaggero”, L’Aquila 15 March;

“Il Messaggero, L’Aquila 28 March;

Luigi Marra, L’Aquilasette, 11 April;

Il Tempo, L’Aquila 11 April;

Mario Stara, Il Messaggero, 12 April;

Il Mattino, Cronaca dell’Abruzzo, 14 April;

Luigi Marra, L’Aquilasette, 18 April;

“Il Messaggero”, L’Aquila 12 July;

“Il Messaggero”, L’Aquila 24 ago.;

Luigi Marra, L’Aquilasette, 29 August;

“L’Aquilasette” (Osservatorio), L’Aquila, 24 October, p. 3.

“L’Aquilasette” 28 March;

“L’Aquilasette”, Sandro Visca al Premio S. Fedele (Osservatorio), L’Aquila, 22 May, p. 2.

Aleardo Rubini, Il Tempo 3 September;

Il Tempo, L’Aquila 8 October;

Dic, L’Aquilasette, 24 October;

L’Aquilasette – Osservatorio, 21 November;

1969

Dic, L’Aquilasette – The Muses’ Corner, February 27;

Di Carlo, “L’Aquilasette” – La posta dei lettori, L’Aquila, 22 May, p. 2.

“Il Messaggero”, Alla Radio Il Dramma di Silone, L’Aquila, 10 August.

“Il Tempo”, Lanciano 28 ago.;

“Il Tempo”, L’Aquila 6 set.;

“Il Messaggero”, L’Aquila 7 set.;

“Il Resto del Carlino”, L’Aquila 7 set.;

“Il Mattino”, L’Aquila 10 set.;

“L’Aquilasette”, L’Aquila 11 set. p. 5;

Dic, “L’Aquilasette”, L’Aquila 17 set. p. III;

“Il Messaggero”, L’Aquila 25 set.;

Burri and Visca, L’Aquilasette, L’Aquila, Sept. 25, p. 3;

Ignazio Silone e il Teatro Stabile, “Il Tempo”, L’Aquila, 1 October, p. 11.

“Il Tempo”, Lanciano 1 ott.;

Visca e Burri, “L’Aquilasette” (Osservatorio), L’Aquila, 2 October, p. 3.

Emidio Di Carlo, “L’Aquilasette”, L’Aquila, 16 October, p. 3.

1970–1979

1970

“Cinema/Sport”, “Torino” Painting Prize, Turin, Jan. 31;

C., The Bitterness Beneath the Flowers, “Il Resto del Carlino”, Pescara, Mar. 9;

“Il Tempo”, Pescara 10 mar. p. III;

Emidio Di Carlo, Sospese tra sogno e realtà le “Pupazze” di Visca, L’Aquilasette, L’Aquila, 12 March.

Sandro Visca, “Il Messaggero”, Pescara 6 apr.;

G., Visca’s Art: Rigorous and Burlesque, “Il Tempo”, Pescara, Mar. 13, p. III;

D. C., Visca’s Fantastic Characters, Il Resto del Carlino, Pescara, Mar. 13;

Sablone, Visca’s Solo Exhibition at “Arte Oggi” Almost a Happening, “Gazzetta di Pescara”, Pescara, Mar. 15;

“Il Tempo”, Avezzano 21 lug.;

Sablone, “Gazzetta di Pescara”, Pescara 26 lug.;

Mascherpa, In the “Michetti” There Is Only a Formal Misunderstanding, “Avvenire”, Francavilla al Mare, Aug. 5, p. 5;

Rubini, Five Pescara Painters Present at the 24th Michetti Exhibition, “Il Tempo”, Pescara, Aug. 6, p. III;

“L’Aquilasette” (Observatory), L’Aquila, Aug. 6, p. III;

Apuleo, The 24th Edition of the Michetti Prize – An Exhibition Reflecting Current Artistic Experience, “La voce repubblicana”, Francavilla al Mare, Aug. 17/18, p. 5;

Rubini, An [exhibition at] “Michetti diverso”, “Gazzetta di Pescara”, Pescara, Aug. 30;

Di Carlo, “L’Aquilasette”, L’Aquila, Sept. 3, page 3;

“Il Tempo”, Penne 3 set. p. III;

Rubini, “Il Tempo”, Pescara 10 set. p. III;

Rubini, An overview of contemporary Abruzzese art, “Gazzetta di Pescara”, Pescara, Sept. 13, page III;

Di Carlo, “L’Aquilasette”, Penne, Sept. 17, page III;

Sablone, “Gazzetta di Pescara” Pescara 20 set.;

Artists at “Pozzo”: Sandro Visca, “La Nazione”, Città di Castello, Oct. 2, page 10;

R., Sandro Visca – Naïf Irony, “La Nazione”, Città di Castello, Oct. 8, page 10;

Rubini, I “Personaggi” di Sandro Visca in una mostra a Città di Castello, “Il Tempo”, Città di Castello, 9 October, p. III.

Garofali, La mostra ad Assisi del pittore Visca, “La Nazione”, 31 October, p. 6.

Rubini, “Gazzetta di Pescara” Pescara 8 nov.;

Lagi, “L’Aquilasette”, L’Aquila 12 nov.;

1971

Rubini, “Gazzetta di Pescara” Pescara 10 gen.;

“L’Aquilasette”, L’Aquila 14 gen. p. 7;

L’Aquilasette 21 gen. p. 3;

Catania, Gli oli di Visca, “Il Tempo”, Vasto, 21 May.

R., Il cuore nuovo di Sandro Visca, “Gazzetta di Pescara”, Pescara, 6 June.

Di Carlo, Una favola dal riso amaro nell’opera di Sandro Visca, “L’Aquilasette”, L’Aquila, 10 June, p. 3.

“La Regione” (n. 1), Pescara 17 lug.;

Dic, Sandro Visca solo exhibition at the Civic Museum of Penne, L’Aquila, July 22;

“Il Tempo”, L’Aquila 1 ago. p. III;

Colacito, “Il Tempo”, 2 ago.;

Sablone, “Gazzetta di Pescara” Pescara 8 ago.;

Rubini, “Gazzetta di Pescara” Pescara 8 ago.;

Sablone, Retrospettive di Balla e Ciardo alla XXV Edizione del “Michetti”, “Il Tempo”, Pescara, 10 August, p. III.

“Il Tempo”, L’Aquila 11 ago.;

Rubini, “La Regione”, Pescara 12 ago.;

“Il Tempo”, Pescara 14 ago.;

Rosato, Quattro abruzzesi alla “Nuova dimensione”, “Il Resto del Carlino”, Pescara, 18 August, p. 6.

Rubini, “Il Tempo”, Pescara 21 ago. p. V;

Emidio Di Carlo, “L’Aquilasette”, Francavilla al Mare, 2 September, p. III.

Rubini, “Gazzetta di Pescara”, Pescara, 5 September, p. 3.

Rubini, “Il Tempo”, Pescara 5 set. p. V;

Rubini, “Gazzetta di Pescara”, Pescara, 12 September, p. 3.

“Il Messaggero”, Pesacra 15 set.;

Rubini, “La Regione”, Pescara 19 set.;

1972

Rubini, “Il Tempo”, Pescara 12 gen. p. IV;

Rubini, “Gazzetta di Pescara”, Pescara 30 gen.;

“Il Tempo”, Pescara 30 gen.;

“Il Resto del Carlino”, Pescara 31 gen.;

“Il Mattino”, Pescara 1 feb.;

“Il Messaggero”, Pescara 2 feb.;

Ianni, “L’Aquilasette”, L’Aquila 10 feb.;

Rubini, “Il Tempo”, Pescara 24 feb. p. V;

“Il Tempo”, L’Aquila 21 giu.;

“Il Resto del Carlino”, Pescara 23 giu. p. 7;

Sandro Visca exhibits at “Nuove dimensioni”, “Il Messaggero”, Pescara, June 24;

A., Esposito’s exhibition concludes with the arrival of Sandro Visca, “Il Messaggero”, Pescara, June 24, p. 12;

Visca tonight at “Nuove dimensioni”, “Il Tempo”, Pescara, June 24;

Visca’s characters, “Gazzetta di Pescara”, Pescara, July 2;

A., “L’Aquilasette”, L’Aquila 6 lug. p. terza;

Ianni, Sandro Visca in Pescara, “L’Aquilasette”, L’Aquila, July 6, p. 2;

Scarpitti, Visca’s cuorimagia [heart-magic], “Il Mezzogiorno” (special issue), Pescara, July 8, p. 20;

Ciarletta, Sandro Visca, “Il Giorno”, Milan, Dec. 19;

1973

Di Carlo, “Abruzzo AZ”, L’Aquila gen.;

Di Carlo, Sandro Visca solo exhibition at Scalco delle Tre Marie, Jan.;

Lo Stazziere, The joy of making hearts, “Il Tempo”, L’Aquila, Jan. 19, p. II;

Sandro Visca solo exhibition in Milan and Turin, “Il Resto del Carlino”, L’Aquila, Jan. 24;

“L’Aquilasette”, (Tavolozza), L’Aquila feb.;

Rubini, “Il Tempo” (Exhibition diary), Pescara, Feb. 14, p. V;

Bottino “Cinema Arte Sport”, Torino 17 feb.;

Dic. “Abruzzo AZ”, L’Aquila feb.;

Cara, “Giustizia nuova”, Milano 15 mar. p. 4;

C., Artists in Milan – Gino Marotta’s Noah’s Ark, L’Aquila, Sept. 18, p. II;

Valsecchi, On This Side, Us; On That Side, Art, “Il giorno”, Milan, Oct. 1, p. 3;

È Sandro Visca, un aquilano alla “Triennale”, “Il Messaggero”, L’Aquila, 2 October.

Di Carlo, Sandro Visca (Special on the 15th Milan Triennale), “Abruzzo AZ”, L’Aquila, Dec.;

Sandro Visca in Milan, “Il Tempo”, L’Aquila, Oct. 4, p. II;

Sandro Visca alla Rassegna del Centro d’Arte “Convergenze”, “L’Aquilasette”, L’Aquila, 8 November.

Dalla Pop Art all’Arte Popolare, Pescara 11 nov.;

G. ”Il Resto del Carlino”, Pescara 22 nov.;

1974

Il Tempo”, Pescara 14 feb. p. V;

R. S., Visca Returns to L’Aquila After a Ten-Year Absence, “Il Tempo”, L’Aquila, Apr. 6, p. II;

Emidio Di Carlo, “Gazzetta di Pescara”, Pescara, Apr. 21;

Ianni, “Abruzzosette” (The Palette), L’Aquila, Apr. 25, p. 3;

Tortoreto, The Painting of Sandro Visca, “Abruzzo d’Oggi”, May 25;

1975

Lussoso, Sandro Visca, “7 giorni 7”, Pescara, Jan. 16;

Bovi, “Il Messaggero”, Pescara 29 apr.;

Anna Rita Scenna, “Un cuore rosso sul Gran Sasso” – Art and Magic of Sandro Visca, “Il Tempo”, L’Aquila, July 6, p. II;

1976

“Il Tempo”, Pescara 27 ago. p. III;

1978

Marotta, Sandro Visca, “Incontri 78”, Loreto Aprutino, Sept.;

1980–1989

1980

“Il Tempo”, Pescara 20 gen.;

A red heart on the Gran Sasso, “Il Messaggero”, Jan. 27;

De Filippis, Visca: Enough with art integrated into the system, “7 giorni 7”, Pescara Jan. 30;

A huge red heart from the Gran Sasso to the sea, “Gazzetta di Pescara”, Pescara Feb. 10;

1983

R., When art identifies with psychoanalysis, “Il Messaggero”, Pescara Jan. 13;

Art and psychoanalysis at the Cultural Services, “Il Tempo”, Pescara Jan. 15;

Intimacy of inquiry, “Il Giornale di Pescara”, Pescara Jan. 19/25;

Paolini, Patience has a limit! No more patience, “Il Messaggero”, L’Aquila Oct. 7, p. 12;

1984

Artists in the shop window with “Pietra e colore”, “Il Messaggero”, Pescara Jan. 10;

“Il Tempo” Pescara 11 gen. p. V;

“Il Messaggero”, Pescara 11 gen. p. V;

“Il Messaggero”, Pescara Jan. 12; Stone and colour, “Gazzetta di Pescara”, Pescara Jan. 15;

“Il giornale di Pescara”, (The Muses’ Corner), Pescara Jan. 11/17;

Pietra e colore, Pescara 18/24 gen.;

“Il Giornale di Pescara”, Pescara 18/24 gen.;

“Il Messaggero”, L’Aquila 22 dic.;

1985

Quarto di Santa Giusta. Art and ethnology compared, with Spini, Visca, and Liberatore, “Il Messaggero”, L’Aquila Jan. 14;

Acitelli, In search of submerged truths, “Il Messaggero”, L’Aquila Jan. 15, p. 13;

Acitelli, “Il Messaggero”, L’Aquila 17 gen.;

D’Elia, The North is running dry; a new wave is needed, “La Gazzetta del Mezzogiorno”, Bari, June 26, p. 3;

“Il Messaggero”, L’Aquila 27 lug.;

“Il Giornale dell’arte”, lug. /ago.;

“Il Giornale di Sicilia”, Palermo 20 ago.;

“Il Messaggero”, Termoli 26 lug.;

“Il Secolo d’Italia”, Roma 15 ago.;

Bonavita, “Il Tempo 21 set.;

“Il Messaggero”, Pescara 19 dic.;

“Il Tempo”, Pescara 29 dic.;

1986

T., The allusive speech by “Fuochi d’amore”, “Il Tempo”, Pescara, Jan. 5;

An Abruzzo “Cuore” lands in Brazil, “Il Messaggero”, Pescara, May 9;

Vitello, “Napoli 20”, Napoli feb.;

The tribute to Mother Mountain “Un cuore rosso sul Gran Sasso”, “Il Corriere di San Paolo del Brasile,” São Paulo, May 12, p. 45;

Ciribilli, “Il Messaggero”, 1 giu.;

Expo Brazil-Italy “Un coraçao vermelho no Gran Sasso”, “Il Corriere”, São Paulo, June 2, p. 28;

“Il Centro” Pescara 17 lug. p. 11;

“Il Tempo”, Pescara 18 lug. p. 5;

“Il Messaggero”, Pescara 24 lug. p. 4;

Giannobile, “Il Messaggero”, Pescara, July 25, p. 1;

Giannobile, “Il Messaggero”, Pescara, July 26, p. 5;

Vincolato, “Il Centro” Pescara 27 lug. p. 6;

Apuleo, “Il Messaggero”, Francavilla al Mare, July 30, p. 17;

Catinello, “La Gazzetta”, Pescara 31 lug. p. 7;

D’Angelo, “Il Messaggero”, Pescara, July 31, p. 4;

“Il Messaggero”, Pescara 12 lug. p. 5;

“Il Tempo”, Avezzano 13 ago. p. 3;

“Il Messaggero”, Avezzano 24 ago. p. 15;

“Il Messaggero”, L’Aquila 30 ott.;

Di Iorio, “Il Messaggero”, Pescara, Oct. 31, p. 24;

Sandro Visca’s Stitched Works, “Il Tempo”, L’Aquila, Nov. 7, p. 2;

Narducci, Sandro Visca “Cuciti”, “Ju zirè”, L’Aquila, Nov. 13, p. 4;

Anna Rita Scenna, “I colori delle favole”, “Il Messaggero”, L’Aquila, Nov. 15, p. 3;

Morelli, “Il Mesaggero”, Pescara 20 nov. p. 8;

1987

Tortoreto, Tapestries as a Sign of the Mysteries of Human Thought, “Il Centro”, L’Aquila, Jan. 10, p. 24;

“Il Mesaggero”, Pescara 1 mar. p. 4;

“Il Mesaggero”, L’Aquila 5 mar. p. 16;

Pecora, “Il Tempo”, L’Aquila 18 mar. p.12;

Alternative attuali 87 – The Figures, Sandro Visca: “Troppi vuoti e troppi falsari in giro”, “Il Messaggero”, L’Aquila, Apr. 4, p. 3;

“Cuciti”, Sandro Visca Exhibition: Fabric Pictures Like Magical Fairy Tales, “Il Centro”, Pescara, Apr. 21, p. 23;

Gasbarrini, Mosaic of a Changing Abruzzo, “Il Messaggero”, L’Aquila, May 17, p. 3;

“Information”, Neuchatel – Svizzera mag. /giu.;

“Il Messaggero”, Sulmona 6 giu. p. 22;

“The Spectator”, Canada 19 set.;

“Il Messaggero”, Avezzano 22 ott. p. 19;

“Il Centro”, L’Aquila 17 nov. p. 10;

Volpe, And the Painters Chose a Plate, “Il Tempo”, L’Aquila, Nov. 19;

“Il Messaggero”, L’Aquila 19 nov. p. 16;

1988

“Il Messaggero”, Pescara 2 gen.;

“Il Centro”, Pescara 2 gen.;

“Il Tempo”, Pescara 3 gen.;

“Il Centro”, Pescara 6 gen.;

Morelli, “Il Messaggero”, Pescara, Jan. 22, p. 14;

Morelli, A Great Open-Air Museum, “Il Messaggero”, Pescara, Mar. 5, p. 4;

Morelli, “Il Messaggero”, Pescara 6 mar. p. 4;

“Il Messaggero”, Pescara 6 mag. p. 4;

“Il Messaggero”, Pescara 14 mag. p. 4;

“Il Messaggero”, Pescara 31 mag. p. 6;

“Il Messaggero”, L’Aquila 2 giu. p. 17;

“Il Messaggero”, L’Aquila 8 giu. p. 17;

Morelli, City without “Core”, Pescara June 17, p. 7;

Vignocchi, “Il Centro”, Pescara 17 giu. p. 29;

Valente and R. Gambescia, Remembering Pazienza, “Il Messaggero”, Pescara July 8, p. 11;

S., Vivaldi between music and painting, Miami – L’Aquila Festival. “Le quattro stagioni” played by the Soloists and portrayed by 12 Abruzzese artists, “Il Messaggero”, L’Aquila July 23, p. 17;

1989

Morelli, Where art is learned, “Il Messaggero”, Pescara Jan. 3, p. 7;

Strozzieri, “Il Messaggero”, Pescara Mar. 10, p. 14;

Morelli, “Il Messaggero”, Pescara 11 mar. p. 4;

“Il Tempo”, Pescara 12 lug.;

“Il Secolo d’Italia”, 15 lug. p. 4;

“Il Giornale d’Italia”, 15 lug.;

“Gazzetta di Chieti”, Chieti 16 lug.;

“La Gazzetta”, Pescara 20 lug.;

“Gazzetta del centro”, Roma 23 lug.;

“Il Tempo”, Molise 26 lug. p. II;

“Il Tempo”, Pescara 6 ago. p. 4;

Sandro Visca, A man, a story, “I, a son of the mountains, learned

to love the sea,” The magical world of Sandro Visca, Abruzzese artist, “Il Messaggero”, Pescara Aug. 25, p. 11;

“Il Centro”, Pescara 31 ago. p. III;

De Frenza, “Il Centro”, Pescara 1 set. p. 5;

“Abruzzo AZ”, L’Aquila set.;

“Babilonia”, Valle Peligna, 9 set.;

Scenery for a mystery, “Il Messaggero” (special), L’Aquila Dec. 1, p. 11;

1990–1999

1990

Spadano, You are born a true artist—and I’ll explain why, “Il Centro”, Pescara Feb. 6, p. III;

Ferrara, Zanardi, Xerox, and the others. “Pazienza, un genio compreso”, “Il Centro”, Mar. 9, p. 20;

“Il Messaggero”, Pescara 14 apr. p. 4;

Valente, Nothing Beyond Concrete – Sandro Visca: How Speculation Destroyed the City, “Il Messaggero”, Pescara, July 25, p. 30;

“Il Messaggero”, Pescara 5 ago. p. 31;

Morelli, “Il Messaggero”, Pescara, Nov. 15, p. 34;

1991

University, Two Days Dedicated to Peru, “Il Messaggero”, Pescara, Jan. 15, p. 31;

Mastri, “Il Messaggero”, Pescara 27 feb. p. 33;

Di Carlo, “I giardini dell’amore” by Sandro Visca, “Settimanale Abruzzese”, L’Aquila, June 8, p. 3;

Crispolti, “La pittura tessuta”, Vicenza 6 nov.;

“Il Giornale di Vicenza”, Vicenza 8 nov.;

“Il Centro”, Pescara 29 nov. p.20;

“La Nuova Provincia”, Asti 16 nov.;

“Il Messaggero”, Pescara 7 dic.;

Maugeri, “Il Giornale di Vicenza”, Dec. 16, p. 5;

Prandina, Textilia: Fabric as Art – A Dialogue Between Italian and Spanish Artists, “La voce dei Berici”, Dec. 22;

“Il Tempo”, Collelongo 29 dic.;

1992

“Il Messaggero”, L’Aquila 7 gen. p. 36;

“Il Tempo”, Collelongo 8 gen.;

“Il Centro”, Collelongo 8 gen.;

Giuseppe Iammarrone’s artist portraits, “Il Centro,” Pescara, Jan. 11, p. 18;

“Il Centro”, Collelongo 16 gen.;

“Interpretazioni tessili e trame nell’arte, “Industria Vicentina”, Vicenza, Feb.;

Visca’s tapestries at the Seville Expo, “Il Messaggero”, Pescara, Sept. 29, p. 33;

“Il Messaggero”, L’Aquila 27 dic. p. XIV;

1993

Daniele Cavicchia, “Il Messaggero”, Pescara, Jan. 28, p. XVIII;

Di Gregorio, “Il Messaggero”, Pescara 23 set.;

Di Federico, “Il Centro”, Penne 24 set. p. 11;

“Il Tempo”, Pescara 24 set. p. 34;

1995

Morelli, Abruzzese art arrives in the Big Apple, “Il Tempo”, Pescara, Apr. 18, p. 4;

Vespa, “L’Informazione” 10 mag. p. 30;

Visci, “Il Messaggero”, Pescara 28 mag. p. 5;

Mar Pat, “Il Tempo”, Pescara 28 mag. p. 4;

Ferrara, “Il Centro”, Pescara 28 mag. p. 29;

Cavicchia, The civic “resistenza” in Visca’s works, “Il Messaggero”, Pescara, June 1, p. XII;

Rovini, Shock monument: a large black box for the summer, “Il Centro”, Pescara, June 1, p. III;

Ferrara, The large black box is a hit, “Il Centro”, June 2, p. II;

Ferrara, The box sparks debate, “Il Centro”, Pescara, June 3, p. II;

Acitelli, A cube of poetry against the concrete towers, “Il Messaggero”, Pescara, June 4, p. VI;

Lascia, “Il Messaggero Pescara 13 lug. p. VIII;

“Sipario”, 13 lug. p. 21;

Ianni, “Il caffè”, L’Aquila 14 lug. p. 2;

Ianni, A-B, 27 lug. p. XXIII;

Visca’s cube at the Ex Gaslini: The black trap of infinity, Pescara, July 27, p. 9;

Visits to the large black cube opened yesterday, Pescara, July 28;

Moretti, Is it the great firmament? Perhaps, “Le Notizie”, Pescara, Aug. 4, p. 13;

Acitelli, “Il Messaggero”, 8 set. p. VII;

Visci, “Il Messaggero”, 6 ott. p. V;

R. Veleno, “Il Messaggero”, 8 nov. p. VII;

1996

Acitelli, A trip around the world of Bene, “Il Messaggero”, L’Aquila, Jan. 20, p. VIII;

Smoglia, “Il Centro”, Pescara 24 gen. p. II;

Cavicchia, “Il Messaggero”, 25 gen. p. VII;

“Il Centro”, L’Aquila 6 dic. p. 24;

“Il Centro”, L’Aquila 7 dic. p. 24;

Acitelli, “I vessilli d’amore” by Sandro Visca, “Il Messaggero”, Dec. 7, p. VI;

“Il Centro”, L’Aquila 8 dic. p. 24;

“Il Messaggero”, L’Aquila 8 dic.;

Pierantozzi, “Il Centro, L’Aquila 8 dic. p. 27;

“Il Centro”, L’Aquila 9 dic. p. 44;

Gasbarrini, “Vessilli”, Visca’s art is born of waking dreams, “Il Messaggero”, Dec. 10, p. VI;

Pizzi, Visca in L’Aquila – a distinguished return, “Il Centro”, L’Aquila, Dec. 11;

“Sipario”, L’Aquila 19 dic. p. 24;

“Il Centro”, L’Aquila 21 dic. p. 24;

“Sipario”, L’Aquila 20 dic. p. 36-37;

1997

“Archivio delle arti”, Mantova 2 feb.;

“Arte Cultura”, Milano 3 mar.;

1998

Perolino, “Il Centro, Pescara 15 gen.;

D’Angelo, “Telecomunicare Abruzzo”, Pescara apr.;

Ferrara, “Il Centro”, Pescara 25 apr.;

Santamaita, “Il Centro”, Pescara 1 mag.;

“Il Centro”, Pescara 1 giu.;

Ciancaglini, “Il Messaggero”, Pescara, May 4, p. 23;

Ferrara, “Il Centro”, Pescara 5 mag. p. VI;

1999

Geragi, “Il Centro”, Pescara 16 apr.;

“Travaroma”, supplement to la Repubblica, Rome, May 13, p. 31;

“Romac’è arte”, Roma 13/19 mag. p. 135 – 139;

“Time Out”, Roma 13/19 mag. p. 36;

“Sipario”, Sandro Visca, L’Aquila, July 23, cover and p. 17;

“Corriere Canadese”, Canada 26 ago. p. 5;

“Corriere Canadese”, Canada, Sept. 7, p. 5; R. Zimei, Places and memory: here are the “peccati”, “Il Messaggero”, Pescara, Sept. 11, p. V;

P. Renzetti, Sandro Visca – When a cookbook becomes a work of art, “Il Messaggero”, L’Aquila, Dec. 3, p. VIII;

2000–2009

2000

Ferrara, “Abruzzi – L’arte del farcucina” A volume by Visca featuring 161 recipes, “Il Centro”, Pescara, Jan. 5, p. 21;

“Il Centro”, Pescara 20 gen.;

Recipes and watercolors: this is how Sandro Visca adds colour to traditional cuisine, “Il Messaggero”, Pescara, Feb. 1, p. III;

AnnaVentura, When cuisine is art and the speaker is… [“maestro”], [“Il Messaggero”], Feb. 11, p. VIII;

Abruzzese cuisine arrives at the Senate, [“Abruzzi – L’arte del far cucina”] by Sandro Visca, www.grtv.it / Rome, Feb. 14;

Sandro Visca presents [“In itinere”], the allure of life in a mega-tapestry, [“Il Messaggero”], Pescara, Feb. 26;

“Sipario”, L’Aquila 3 mar. p. 27;

“Abruzzo nel mondo”, mag. p. 3;

“Sprint”, Senigallia 26 mag. p. 14;

A unique work from Sandro Visca [“In itinere”], [“Corriere Adriatico”], Senigallia, May 27, p. XX;

Sandro Visca, [“Il Messaggero”], Pescara, June 11, p. V;

“Corriere Adriatico”, Senigallia 5 ago.;

A giant tapestry [“invade”] the Castle, [“Il Tempo”], L’Aquila, Sept. 6, p. 27; G. Felli, Sandro Visca’s maxi-tapestry, [“Il Messaggero”], L’Aquila, Sept. 8, p. VI;

Ballesi, “Sipario”, L’Aquila 15 set. p. 8;

Scorrano, “Il Messaggero”, Pescara 3 nov. p. V;

“Il Messaggero”, Pescara 13 dic. p. V;

“Il Tempo”, Pescara 20 dic.;

Giampietro, “Il Centro”, Pescara 20 dic.;

“Il Tempo”, Pescara 22 dic.;

“Il Messaggero”, Pescara 22 dic.;

2001

“Pescaradomani”, Pescara mar. p. 13;

Visca’s tapestry at the Officina, [“Metropoli”], Lucca, Mar. 2;

Casali, Sandro Visca’s woven painting, [“La Nazione”], Lucca, Mar. 3;

Capitanio, The mega-tapestry is a masterpiece, [“Il Tirreno”], Lucca, Mar. 7;

Rocchi, A unique exhibition of Sandro Visca’s woven paintings at the Officina Cultural Centre, [“Il Tirreno”], Lucca, Mar. 25;

“Il Tirreno”, Lucca 25 mar.;

“Note”, Comune di Lucca, Lucca mar. p. 2;

Maranca, “Il Tempo”, L’Aquila 27 dic. p. 28;

2002

Sattuario, “Il Messaggero”, Pescara

8 feb. p. 36;

Maranca, “Il Tempo”, Pescara 10 mar. p. 31;

Di Vincenzo, “Il Centro”, Pescara, Mar. 18, p. 45;

“Il Messaggero”, Pescara 9 lug.;

D’Alimonte, “Il Centro”, Pescara 4 lug. p. 20;

“Il Messaggero”, Pescara 19 lug.;

De Santi, Pochi lampi in quell’arte [Few flashes of brilliance in that art], “Il Messaggero”, Sep. 30;

Lombardinilo, Un libro per amare il mare [A book to love the sea], “Il Messaggero”, Pescara, Dec. 27, p. 35;

2003

“Il Tempo”, Pescara 11 gen. p. 42;

Nunzia Potena, “Il Centro” – Culture and Society, Pescara, May 11, p. IV;

“Il Centro”, Pescara, 15 mag.;

Mirta Maranca “Il Tempo”, Pescara, May 17, p. 37;

2004

Sessarego, “america Oggi”, Westwood, New Jersey, Mar. 14, 2004, p. 21;

Rosalba Ciancaglini, “Il Messaggero”, Pescara, June 10, 2004;

Katia Malatesta “L’Adige”, Trento 26 lug. 2004;

“Il Centro”, Pescara 28 lug. 2004;

“Corriere del Trentino”, Trento 29 lug. 2004;

“La cronaca locale”, Chieti 30 lug. 2004;

“Camera giovedì”, Pescara 2 dic. 2004.

2005

Gabriele Tinti, Exibart Rome, Andrea Pazienza, Complesso del Vittoriano, Rome, Sep. 2005;

2006

(e.verr) La Gazzetta del Mezzogiorno, Rome, May 19, p. 25;

Andrea Scanzi, TTL, supplement to La Stampa, June 17, p. 10;

L’Espresso, 29 giu. p. 131;

Renato Pallavicini, L’Unità, 18 lug. p. 23;

Renato Pallavicini, L’Unità, 25 lug. p. 24;

Michele Smargiassi, La Repubblica, July 30, pp. 38–39;

Maria Tiziana Lemme, Il Mattino, 18 lug. p. 21;

Francesco De Vitis, Rainews 24.it, Rome, Aug. 23, pp. 1–4;

Bookshop, ag./set.;

Il Segnalibro n°121, Roma ott. p. 3;

L’Unità, Roma 13 dic. p. 4;

Diario, Roma 13 dic. p. 29;

City, Roma 13 dic. p. 29;

E Polis, Roma, 13 dic.;

Corriere della Sera, 13 dic.;

Carlo Alberto Bucci, La Repubblica, Rome, Dec. 13, p. 18;

Claudio Romeo, Visca: the book and an exhibition bear witness to the creative genius of A. Pazienza, www.recensito.net – Dec. 14;

Il Romanista, Roma 14 dic.;

Il Manifesto, Roma 14 dic.;

Federico Raponi, Liberazione, Roma 29 dic.;

Meridian Magazzine, 15 dic.;

Il Centro, Pescara 15 dic., p. 33;

Stilos, 19 dic. p. 24;

Claudia Bruno, Andrea Pazienza: Visca. The genius of a maverick, Terranauta (published by FN Editrice), www.terranauta.it;

2007

Maria Rosaria Spadaccino, Corriere della Sera, Rome, Jan. 9, p. 11;

Trova Roma, Roma 11 gen. p.10;

Il Messaggero, Roma 12 gen. p. 44;

La Repubblica, Roma 12 gen. p. 15;

Corriere della Sera, Roma gen. p.16;

Laura Valentini, Il Messaggero, Pescara, Jan. 23, p. 34;

Cinzia Rosati, Riviera Oggi, Culture and Entertainment;

2008

Laura Valentini, Il Messaggero, Pescara, Mar. 19, p. 41;

L’Oracolo, Pescara, 22 mar. p. 2;

Il Messaggero, Pescara, 25 mar. p. 38;

Laura Valentini, Il Messaggero, Pescara, Mar. 29, p. 45;

Il Tempo, Pescara, 29 mar. p. 22;

Il Centro, Pescara, Mar. 29, Culture and Society section;

Il Centro, Pescara, 30 mar. p. 25;

Il Messaggero, Pescara, 1 apr. p. 39;

Tempo Libero, Pescara, 2 apr. p. 5;

Tutto Abruzzo oggi e Molise, Pescara, Apr. 6, p. 9;

Iolanda Ferrara, Il Centro, Pescara, Apr. 7, Culture and Society section;

Avanti, Rome, Apr. 9, p. 3; Il Centro, Pescara, Apr. 30, Culture and Society section;

Il Centro, Pescara, 30 apr. Prima p.ina;

Il Centro, Pescara, May 15, Culture & Entertainment section;

Il Messaggero, Pescara, 16 mag. p. 47;

Tutto Abruzzo Oggi e Molise, Pescara, May 30, p. 5;

Il Messaggero, Pescara, 13 giu. p. 41;

Il Centro, Pescara, June 15, Culture and Society section;

2009

Rosalba Ciancaglini, Il Messaggero, Pescara, Apr. 26, p. 43;

Il Messaggero, Pescara 3 lugl. p. 38;

Il Manifesto, Roma 8 lug.;

Inter City, Pescara 12 – 26 lug. p. 62 – 63;

Mauretta Capuano, Gazzetta del Sud, Messina, July 17;

Il Messaggero, Ediz. Marche, 17 lug.;

Corriere Adriatico, Ancona 17 lug.;

Il Giorno, Milano 17 lug, ;

La Nazione, Firenze 17 lug.;

Maurizio Bono, La Repubblica, Rome, July 18, p. 43;

Il Mattino, Napoli 23 lug.;

Italia Sera, 24 lug.;

La Nuova Sardegna, 27 lug. p. 18 ;

Il Tempo, Roma 27 lugl. p. Cultura. ;

Fernanda Pivano, Corriere della Sera, Aug. 2, p. 33;

Linus, n°8, Milano, ago. ;

Il Centro, Pescara, Aug. 22, Culture and Society section;

Laura Valentini, Il Messaggero, Pescara, Oct. 7, p. 41;

2010–2019

2010

Giustino Parisse, Il Centro, Pescara, Feb. 4, p. 6;

Oscar Buonamano, Il Centro, Pescara, Feb. 14, p. 17;

Oscar Buonamano, Il Centro, Pescara, Feb. 19, p. 20;

Pablo Dell’Osa, Il Messaggero, Pescara, Feb. 20, p. 43;

Oscar Buonamano, Il Centro, Pescara, Feb. 21, p. XI;

Antonio Marchetti, www.variosondamestesso.com;

Paolo Vercesi, Il Messaggero, Pescara, Mar. 20, p. 51;

Pietro Lambertini, Il Centro, Pescara, April 4, p. IX;

2011

Il Messaggero, Pescara 20 June;

Giorgio D’Orazio, Quotidiano d’Abruzzo, Pescara, June 23;

Laura Valentini, Il Messaggero, Pescara, June 28, p. 40;

Giorgio D’Orazio, Quotidiano d’Abruzzo, Pescara, June 29;

Nello Di Marcantonio, La domenica d’Abruzzo, Pescara, June 25;

Teresa Di Rocco, Il Centro, Pescara, July 20, p. 27;

Teresa Di Rocco, Il Centro, Pescara 25 July;

Antonella Di Lorito, Il Tempo, July 31, p. 32;

Laura Valentini, Il Messaggero, July 31, p. 41;

Luigi Di Fonzo, Il Centro, p. 13;

Intercitymagazine, August, p. 45;

Zoom, August, p.19;

2012

Michela Corridore, Il Centro, 14 June, p. 33;

2013

Fabrizio Santamaita, Il Messaggero, January 29, p. 39;

Federica D’Amato, Il Centro, 16 June, p. 33;

Il Centro, 9 October, p. 29;

Il Messaggero, 13 October, p. 39;

Il Tempo, 15 October;

Roberta Zimei, 18 October, p. 43;

Rosa Anna Buonomo, Il Centro, November 23, Montesilvano oggi/XIII;

Il Messaggero, 8 December, p. 45 – 55;

Stefano Buda, Il Tempo, 8 December, p. 19;

Vito De Luca, Il Centro, 8 December, p. 18;

2014

Giovanna Di Lello, Il Centro, 3 May, p. 35;

Il Centro, June 22, (http://ilcentro.it/pescara);

Paolo Ferri, Intercitymagazine, July, pp. 20–21;

2015

Il Centro, 18 June, p. 30;

Anna Fusaro, Il Centro, “Cielo d’Italia” – da Castelli a Expo, 23 September.

Elisabetta Mercuri (Lamezia Terme), article without masthead, October 31;

Alberto Esposito, La Voce (Lamezia Terme), November 18;

2016

Il Centro, 21 January;

Roberta Zimei, Il Messaggero, January 21, p. 53;

Paolo Guidi, Il Centro, 6 February, p. 29;

Federica Fusco, Il Messaggero, April 13, p. 39; Barbara Scorrano, Il Messaggero, May 23, pp. 39–41;

Mila Cantagallo, Il Messaggero, June 19, pp. 35–40;

2017

Alessandro Ricci, Il Messaggero, December 28, p. 42;

Roberta Zimei, Il Messaggero, January 31, p. 43;

2018

Roberta Zimei, Il Messaggero, 15 June, p. 41;

Alessandro Ricci, Il Messaggero, June 15, p. 41;

Nicola Mattoscio, Il Messaggero, June 17, p. 34;

Mario Giancristofaro, Il Messaggero, September 5, p. 31;

Marzia Apice, Il centro, 10 September, p. 33;

Vito Moretti, Quotidiano della Provincia di Teramo, October 14, p. 21;

Monica Di Pillo, Il Messaggero, 19 October;

http//www.rivistasegno.eu/news/, 7 December;

2019

Ivan Masciovecchio, http://Tesoridabruzzo.com, March 27, p. 1/8;

Insideart, http//insideart.eu/category/articoli/, February 19;

WOO mezzo metro quadro No. 12, Dd’A Department of Architecture, Pescara;

First Arte, 19 February;

Bruno Barteloni, http://www.ilpescara.it, February 26;

I.P. Special Art Feature by Piemme S.p.A., February 28;

Paolo Puletti, Corriere dell’Umbria, March;

Paolo Puletti, Corriere dell’Umbria, 12 March;

Maurizio Amore, La Stampa, 15 March;

La Nazione, 12 March, p. 17;

Marianna Masciolini, https//www.facebook.com, April 2;

Il Messaggero, 27 June;

Manuela De Leonardis, Weekly supplement of Il Manifesto, July 13, p. 5;

Il Messaggero, 15 September, p. 41;

Artists for Celestine V, L’Aquila, MU.SP:A.C., August 29 to September 12;

AISE (International Foreign Press Agency), September 21;

Pa.Pul., Corriere dell’Umbria, 26 September;

AbruzzoNews, foglio 1/4, 20 November;

Abruzzo Popolare, foglio 1/2, 21 November;

Jacopo Ottenga Barattucci, Il Messaggero, November 23, p. 47;

Il Messaggero, 23 November, p. 58;

Il Centro, 23 November, p. 39;

Il Centro, 24 November, p. 34 – 35;

Il Centro, 7 December, p. 30;

http://living.corriere.it/tendenze/art/gallery/la mostra-obiettivi su burri-città di castello, December 19;

2020–2025

2021

Jolanda Ferrara, Il Centro, 10 July. p. 42

Lalla D’Ignazio, Il centro, 28 September, p. 21

Mila Cantagallo, Il Messaggero, October 23, p. 43

2022

Alex Urso, Artribune.com, 16 July;

Giorgiana Cristalli, ANSA.it – Culture & Art, July 16;

Quotidianonazionale “L’Immediato” Culture & Society, July 17;

Luca Raffaelli, La Repubblica, 17 July, p.39;

Corriere del Mezzogiorno – Puglia, p.1;

La Stampa, 17 July;

La Repubblica – Puglia Estate, 17 July, p.10;

Il Centro – Abruzzo, 18 July, p.25;

Mila Cantagallo, Il Messaggero, July 18, pp. 31–33;

Giorgiana Cristalli, Il Tirreno, July 18, p. 20;

Giorgiana Cristalli, La Gazzetta di San Severo, September 16;

Giorgiana Cristalli, La Gazzetta di San Severo, September 23;

Maurizio Di Fazio, Il Fatto Quotidiano, Rome, December 10, p. 19;

2023

Luca Valtorta, il venerdì di Repubblica, January 27, pp. 98–101;

Gi. Ga., Avvenire, 9 March, p. 25;

Il Messaggero, 10 March 2023, p. 35;

Iolanda Ferrara, Il Centro, 12 March;

Fabio Barone, Il Messaggero, 14 March, p. 36;

Maria Letizia Paiato, Il Giornale Dell’Arte, April 6;

Carlo De Matteis, Il Messaggero, May 6, p. 36;

Franco Giubilei, Specchio, 21 May, p.12;

Jolanda Ferrara, Il Centro, 10 July, p. 42;

Luca Raffaelli, La Repubblica – Robinson, August 12, pp. 36–37;

Cristina Scuartecchia, Il Messaggero, December 13, p. 39;

2024

Pietro Lambertini, Il Centro, 23 May, p. 43;

Fabio Barone, Il Messaggero, 11 July, p. 64;

Sabrina Dei Nobili, Il Centro, July 12, p. 34;

Iolanda Ferrara, Il Centro, 4 October, p. 31;

2025

Artemagazin, 9 January;

Il Centro, 15 January, p. 38;

Chiara Fabbri, AW ArtMag, 3 February;

Franco Giubilei, La Stampa, 6 December, p. 29;

2026

Massimo Cutò, Il Secolo XIX, 23 May, p.31;

Authors and scholars

Writings and commentary on the work of Sandro Visca

  • Arigo Abaldi
  • Marina Acitelli
  • Carlo Allegri
  • Maurizio Amore
  • Antonio Angelini
  • Marzia Apice
  • Vito Apuleo
  • Sissi Aslan
  • Paola Ballesi
  • Antonio Bandera
  • E. Barcone
  • Fabio Barone
  • Bruno Barteloni
  • Patrizio Bassanin
  • Gaetano Basti
  • Franco Benemiglio
  • Berenice
  • Luigi Bernardi
  • Toni Bonavita
  • Maurizio Bono
  • Liana Bortolon
  • Vittorio Bottino
  • Arturo Bovi
  • Francesco Bruma
  • Claudia Bruno
  • Carlo Alberto Bucci
  • Cecilia Buccioni
  • Stefano Buda
  • Oscar Buonamano
  • Rosa Anna Buonomo
  • Generoso Bruno
  • Mila Cantagallo
  • Antonella Capitano
  • Mauretta Capuano
  • Licia Caprara
  • Claudio Carella
  • Andrea Carella
  • Roberto Castri
  • Domenico Cara
  • Carlo Fabrizio Carli
  • Andrea Carnemolla
  • Diego Carpitella
  • Diego Casali
  • Giuseppe Catania
  • Nello Catinello
  • Daniele Cavicchia
  • Maurizio Ceccaioni
  • Errico Centofanti
  • Rita Centofanti
  • Alfredo Chiantini
  • Rosalba Ciancaglini
  • Nicola Ciarletta
  • Fabio Ciceroni
  • S. Ciribilli
  • Anna Maria Cirillo
  • Gianfranco Colacito
  • Michela Corridore
  • Enrico Crispolti
  • Giorgiana Cristalli
  • Massimo Cutò
  • Ivan D’Alberto
  • Daniela D’Alimonte
  • Federica D’Amato
  • Giacomo D’Angelo
  • Carla D’April
  • Lalla D’Ignazio
  • Rosanna De Filippis
  • Antonio De Frenza
  • Anna D’Elia
  • Peppino D’Emilio
  • Gabriella De Fazio
  • Manuela De Leonardis
  • Carlo De Matteis
  • Linda De Sanctis
  • Vito De Luca
  • Floriano De Santi
  • Francesco De Vitis
  • Sabrina Dei Nobili
  • Emidio Di Carlo
  • Maurizio Di Fazio
  • Elvano Di Federico
  • Luigi Di Fonzo
  • Giorgio Di Genova
  • Nicoletta Di Gregorio
  • Giovanna Di Lello
  • Andrea Di Lorenzo
  • Antonella Di Lorito
  • Nello Di Marcantonio
  • Giacinto Di Pietrantonio
  • Teresa Di Rocco
  • Giorgio D’Orazio
  • Francesco Di Vincenzo
  • Paolo Di Vincenzo
  • Alberto Esposito
  • Amedeo Esposito
  • Chiara Fabbri
  • Grazia Felli
  • Giuia Ferracci
  • Silvana Ferrante
  • Iolanda Ferrara
  • Paolo Ferri
  • Elda Fezzi
  • Lucio Fraccacreta
  • Francesca Frediani
  • Anna Fusaro
  • Federica Fusco
  • Ugo Fusco
  • Rita Gambescia
  • Antonio Gasbarrini
  • Luciano Garofoli
  • Adriano Gatti
  • Fabrizio Gentile
  • Giancarlo Gentilucci
  • Mario Giancristofaro
  • Valentina Geraci
  • Fausto Giaccone
  • Piero Giampietro
  • Lamberto Giancarli
  • Giancarlo Giannobile
  • Franco Giubilei
  • Paolo Guidi
  • Giuseppe Iammarrone
  • Paolo Iammarrone
  • Fausto Ianni
  • Francesco Iengo
  • Jacopo Ottenga Barattucci
  • Luigi Lambertini
  • Pietro Lambertini
  • Maia Rosaria La Morgia
  • Gabriella Lasca
  • Maria Tiziana Lemme
  • Gioacchino Li Causi
  • Andrea Lombardinino
  • Igino Lopez
  • Gianni Lussoso
  • Katia Malatesta
  • Mirta Maranca
  • Maria Luisa Meoni
  • Antonio Marchetti
  • Luisa Marino
  • Gino Marotta
  • Luigi Marra
  • Adriana Martino
  • Giorgio Mascherpa
  • Fabrizio Masciangioli
  • Marianna Masciolini
  • Ivan Masciovecchio
  • Paolo Mastri
  • Nicola Mattoscio
  • Salvatore Maugeri
  • Giacomo Migone
  • Renato Mirone
  • Vincenzo Mollica
  • Giorgio Morelli
  • Monica Morelli
  • Marina Moretti
  • Francesco Moschini
  • Mario Narducci
  • Maria Concetta Nicolai
  • Giampiero Nicoli
  • Rita Olivieri
  • Maria Letizia Paiato
  • Vittoria Palazzo
  • Umberto Palestini
  • Renato Pallavicini
  • Sibilla Panerai
  • Antonio Paolini
  • Giustino Parisse
  • Roberto Pasini
  • Andrea Pazienza
  • Francesco Pecora
  • Gerardo Pedicini
  • Plinio Perilli
  • Ugo Perolino
  • Emy Petrini
  • Bianca Maria Piccinino
  • Guido Piccoli
  • Ruggero Pierantoni
  • Lelio Pierro
  • Fernanda Pivano
  • Michele Piscitelli
  • Raniero Pizzi
  • Lorenzo Pompeo
  • Nunzia Potena
  • Gino Pradina
  • Maria Grazia Predolin
  • Sergio Proculo
  • Paolo Puletti
  • Luca Raffaelli
  • Giovanna Ralli
  • Francesca Rapini
  • Fedrico Raponi
  • Maria Pia Renzetti
  • Alessandro Ricci
  • Maria Cristina Ricciardi
  • Eugenio Riccitelli
  • Adina Riga
  • Rykwert
  • Mario Rocchi
  • Jessica Romano
  • Claudio Romeo
  • Nerio Rosa
  • Cinzia Rosati
  • Giuseppe Rosato
  • Claudia A. Rossi
  • Luana Rovini
  • Aleardo Rubini
  • Antonello Rubini
  • Laura Ruggeri
  • Andrea Russo
  • Umberto Russo
  • Benito Sablone
  • Fabrizio Santamarina
  • Pier Carlo Santini
  • Andrea Scanzi
  • Tonino Scaroni
  • Pasquale Scarpitti
  • Anna Rita Scenna
  • Barbara Scorrano
  • Cristina Scuartecchia
  • Giammario Sgattoni
  • Michele Smargiassi
  • Stevka Smitran
  • Paolo Smoglia
  • Barbara Sorrano
  • Lucia Spadano
  • Maria Rosaria Spadaccino
  • Tito Spini
  • Mario Stara
  • Leo Strozzieri
  • Franco Summa
  • Annunziata Taraschi
  • Giorgio Tempesti
  • Gabriele Tinti
  • Rossana Torlontano
  • Marco Tornar
  • Walter Tortoreto
  • Michele Trecca
  • Lorenza Trucchi
  • Gabriel Vaduua
  • Claudio Valente
  • Laura Valentini
  • Marco Valsecchi
  • Luca Valtorta
  • David Vecchiato
  • Maria Rosato Veleno
  • Anna Ventura
  • Marcello Venturoli
  • Paolo Vercesi
  • Enzo Verrengia
  • Bruno Vespa
  • Antonello Vigliaroli
  • Gemma Vignoni
  • Giuseppe Vincolato
  • Giulia Visci
  • Maurizio Vitiello
  • Eduardo Vittoria
  • Gianfranco Volpe
  • Antonio Zimarino
  • Roberta Zimei
  • Chiara Zocchi

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